Research Catalogue

research expositions

• SOLO and PROZESSION (last edited: 2016) author(s): Karin DE FLEYT This exposition is in progress and its share status is: visible to all.
  Published on 31 Aug 2016 This exposition represents some of my research project outcomes showcasing different performances and lecture/recitals on Solo & Prozession by Karlheinz Stockhausen. Presentations from the guest speakers at the Stockhausen Symposium Day I organised on 16 September 2016 are added to give an overview of a nowadays context to these compositions from the sixties.
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• Vensters by Lucien Goethals (2019) author(s): Karin DE FLEYT published in: Research Catalogue
  This is a video of the inter-medial work Vensters by Lucien Goethals, a live performance at the Articulate research Festival in Antwerp, 24 October 2019
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  Perspectives on time in the music by Stockhausen: the experience of a performer (last edited: 2024) author(s): Karin DE FLEYT This exposition is in progress and its share status is: visible to all.
  Timelessness and temporality (Kruse, 2011) are widely studied topics in the classical music of the second half of the 20th century and the 21st century, mainly concerning the perspective of musical composition and auditory perception of music. But what is the perspective of temporal layeredness in the performer’s experience? This quote offers a starting point (Noble, 2018): “music whose temporal organisation optimises human information processing and embodiment expresses human time, and music whose temporal organisation subverts or exceeds human information processing and embodiment points outside of human time, to timelessness .” Specialized in the repertoire of Karlheinz Stockhausen, I want to investigate the role of temporality in music from the perspective of a performer. I will delve into the richness of different layers of temporal awareness in an artistic experience through experiential, embodied, and sensorial knowledge, using different temporal compositions by Stockhausen as case studies: HARMONIEN (2006) for flute solo,, Xi (1986) for flute solo and STOP (1969) for ensemble.
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