Research Catalogue - an international database for artistic research

walmeri ribeiro

Brazil °1978

research interests: performance as research; proceedings; documentation; practice as research;, ecology of practices

affiliation: Fluminense Federal University| Rio de Janeiro|BRazil

Walmeri Ribeiro is an artist, professor and researcher. Having a background in performance art and media studies, she is interested in the intersections between performance, media art and environmental issues. Full professor at the Universidade Federal Fluminense in Rio de Janeiro, Brazil, she has completed a post-doctoral project at the Concordia University in Montreal, a PhD project at the PUC|SP and a Master in Arts at the UNICAMP|SP.

Based in Rio de Janeiro, Brazil, she coordinates the BrisaLAB – Laboratory of Performance, Media Art and Environmental issues and the Sensitive Territories Project ( FAPERJ| 2020-2022).

research

research expositions (collaborated)

Artistic Connectivity Unfolding (2024) author(s): Falk Hubner, walmeri ribeiro, Elisavet Kalpaxi, Marike Hoekstra, Eleni Kolliopoulou, Jessica Renfro, Isil Egrikavuk, Reyhaneh Mirjahani, Katy Beinart, Lizzie Lloyd, Chrystalleni Loizidou, Xenia Tsompanidou, Juriaan Achthoven connected to: Fontys Academy of the Arts (internal) published in: Research Catalogue
This publication presents the outcomes of the Connective Symposium, which took place at Fontys Academy of the Arts in Tilburg, in November 2022. The symposium was the first time that the professorship and research group Artistic Connective Practices, initiated in 2021, opened its work to the international field: We invited practitioners from all over the world to share their work and exchange about the concept of "artistic connectivity". "Artistic Connectivity Unfolding" is an attempt to share the experiences during the symposium with the broader artistic research audience, and to contribute to the body of artistic research work that is socially engaged. The exposition is potentially many things: In part, it is a piece of documentation of the symposium, in part reflections on and proceedings of it. It is also an explorative contribution to our emerging and unfolding discourse of artistic connectivity, — unfinished, fluid and moving — and thus a springboard for our future work on artistic connectivity.
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