Research Catalogue

research expositions

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  Play: emotional regulation in classical music performance (2021) author(s): Francisca Skoogh published in: RUUKKU - Studies in Artistic Research
  Musicians examining performance anxiety within the context of their own regular concert performances, is a rare event in western classical music. The Western classical music culture, from conservatory to the professional life that follows, is tinged with disciplined practise, competitions, result-focused ambition and demands for perfection. There is little or no room to explore psychological issues connected to the profession, a silence that needs to be addressed. Classical musicians are highly dedicated to their vocation but they also suffer from more music performance anxiety (MPA) than musicians in other musical genres. This article gives examples on how musicians themselves can find new ways of emotionally regulate MPA by identifying performance values connected to the traditions and ceremonies of classical music. Built in values concerning performance can be defined and explored through experimental concert settings. Furthermore the article gives examples on how Artistic Research (AR) projects are designed to challenge the silenced artist in the traditional classical concert setting and how AR can contribute to the research field of MPA giving voice to the artist's thoughts. The experimental projects presented in this article describe how different interventions can help to regulate the artist's emotions and at the same time develop concert performance practice. One project connects neuroscientific findings to performance and the second one is based on the psychoanalytic concept of play.
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  Transforming performance- an inquiry into the emotional processes of a classical pianist (2021) author(s): Francisca Skoogh published in: Research Catalogue
  This artistic research PhD project challenges classical music performance culture through a series of experimental collaborative projects. My particular interest lies in how this culture shapes the psychological experience of performance from the perspective of the individual musician. The project’s aims can be further defined through the following research questions: a) How can I better understand the psychological impact that the traditions and ceremonies of classical music have on my performance? b) Departing from my own practice, what other factors affect me emotionally during performance? c) How can experimentation with the traditions of performance culture in classical music provide different modes of emotional regulation in staged performance? This thesis is a compilation of projects and publications in which I explore classical music performance through my individual experience as a soloist. Selected concert performances of classical works, experimentation with performance settings, and the creation of two commissioned works, play central roles. The method and design builds on the qualitative study of several case studies of my practice as a concert pianist in collaboration with other musicians, choreographers and composers. The methodological approach entails combinations of autoethnographic methods, stimulated recall and thematic analysis. The theoretical framework is twofold, and rests on psychological and psychoanalytical perspectives as well as on a socio-historically driven analysis of the music-theoretical concept of Werktreue. Some artistic results are available online in The Research Catalogue and others are published on the CD Notes from Endenich (Daphne Records). The combined outcomes of the project suggest, that musicians can benefit from an increased awareness of factors that affect the western classical music performer. While this thesis is specifically directed towards other musicians, it is also my hope that the findings can be valuable also in other research fields. Without the active contribution from musicians and artists into the investigation of how they function as performers, and of the values that accompany them on-stage, it is difficult to understand which needs should be addressed scientifically. For music researchers, there are many opportunities to dig into the different aspects of performance, but it is vital to let musicians show the way by collaborating within the field of Artistic Research, and thereby, together with musicians, find new ways to transform their experience of performing.
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