Exposition

The communication intent in 'matéria disponível’ (‘available matter') (2022)

rosinda casais
rosinda casais

About this exposition

This article is based on the personal work 'matéria disponível’ (2020) by Rosinda Casais and proposes to analyse the importance of communication-driven art in its different stages. This work emerged from the objective to explore the outdoor space as a space to communicate, during the period of the first lock-down (social distancing) due to CoVID-19, from march to june 2020. Crossing this period, she and her 5 years old daughter used the debris that remained in the courtyard of the building, where both live, and started communicating through objects with the neighbours. From the intention to interact with the other, this artwork fulfils itself, broadens and questions the communicative nature of the objects and the artistic practice as well. Concepts, along with the capacity of the objects to change the atmosphere of a place and the common/individual memories, were developed during this work towards a sense of communication from/to it and is discussed here.
typeresearch exposition
keywordscommon memory, individual memory, atmosphere, imaginary, communication
date01/11/2021
published25/10/2022
last modified25/10/2022
statuspublished
share statusprivate
affiliationFBAUP - Faculdade de Belas Artes da Universidade do Porto
copyrightrosinda casais
licenseCC BY-NC-ND
languageEnglish
urlhttps://www.researchcatalogue.net/view/1406576/1406577
doihttps://doi.org/10.22501/ruu.1406576
published inRUUKKU - Studies in Artistic Research
portal issue19. Making Artistic Research Public
external linkhttps://rosindacasais.wordpress.com/


Simple Media

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