Exposition

Harmony on the violin - internalising harmony for violinists and the role of (tonal) improvisation (2017)

Liesbeth Ackermans
open exposition

About this exposition

Abstract Harmony on the violin – exploring ways to enhance harmonic awareness by improvisation. How can playing with basic elements of classical music help us to enter the music we perform ‘from within’, to enjoy the creative moment in connection with the repertoire we know so well and love so much, to ‘co-compose’… How can (tonal) improvisation be an aid to learn about harmony in a way that experience comes first, using, in this research, the violin as our voice? In this research my aim has been to create a toolbox of games/exercises that can be used working in the above mentioned way. At the same time the exploratory journey of the research proved to be a transformative experience with regard to my own relationship with the music I play, love and teach. In this paper those two threads – the development of educational material and the testing out of it on the one hand and my personal development as a violinist and musician on the other hand - are constantly intertwined. The one cannot do without the other. This paper is a report of all activities that added to the above mentioned two processes. The report will guide you through the origins of the research, the rich input of colleagues, masters and books on the subject, a report of the practising, imagining, exploring hours spent by myself in my garden house, information on the enjoyable sessions when trying out the material with students. At the centre of the paper you will find the games and exercises themselves – the content of the toolbox, called ‘Invitations’. A closer look at certain aspects of the research is found in Chapter 5 – Behind the scene. The paper will finish with a set of recommendations and conclusions and – above all – future plans. I do hope you will enjoy this research – a research into methods that can be used to let the playing from musical intuition and the building of harmonic consciousness meet. In doing so, enjoying the richness, benefits and pleasure that musical improvisation has to offer in music education.
typeresearch exposition
keywordsharmony, violin, improvisation, figured bass, musicianship skills, creativity, musical and artistic development, instrumental training, Research by teachers of the Royal Conservatoire
date16/02/2017
published04/09/2017
last modified04/09/2017
statuspublished
licenseAll rights reserved
urlhttps://www.researchcatalogue.net/view/235432/235433
doihttps://doi.org/10.22501/koncon.235432
published inKC Research Portal
portal issue1. Master Research Projects


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nameAfbeelding voor titelpagina, met schuine notenbalk,jpeg0002
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nameImprovisatie met Bert tijdens Badkapel concert (applaus weg)
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namePlacida, Laura, Marjolein, fragmentje Singing met fade-out
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nameMini met Merel en Eva (wit), ingekort en met fade-out
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nameVogeltjes
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nameG snaar melodie met microtonen
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nameSchubert Forel, met Placida, met fade-out en fade-in
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nameSchubert, Forel met Laura, met fade-out
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nameAlla Turca met maatcijfers, de goede
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nameMozart Alla Turca (fragment met fade-out)
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nameBoccherini minuet betere opname
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nameAlla Turca met maatcijfers, de goede en cirkels
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namegerman sixth als afbeelding (zonder maat rust)
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nameFigured bass voorbeelden
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nameThema
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namenaar G groot
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namenaar a-klein
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namenaar d-klein
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namenaar c-klein nr 1 goede volume
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nameDalende bas - Passacaglia
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nameLa Folia
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nameLa Folia
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nameMonte sequence
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nameGreensleaves
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nameRomanesca
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nameThema
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nameSimpel uitgespeeld (zonder extra akkoorden)
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nameUitgespeeld met dubbelgrepen waar meer noten nodig zijn
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nameUitgespeeld met dubbelgrepen waar meer noten nodig zijn, maar weer anders
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nameSnellere Corelli nr 1
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nameSing and play in unison
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nameGeorge Enescu plays Corelli Sonata, bijgesneden
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nameMozart Rondo alla Turca played by Carl Reinecke on piano roll, bijgesneden
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nameDvorak gewoon uitgespeeld
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nameDvorak in achtstes nr 2
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nameDvorak Figured bass line
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nameLeonid Kogan plays Dvorak bijgesneden
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nameRule of the octave majeur
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nameRule of the octave mineur
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nameRule of the octave in D nr 2 (mooi)
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nameRule of the octave in D nr 3 (weer anders)
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nameRule of the octave met wat dubbelgrepen
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nameThomas en Bert tijdens Impro Assembly, 2 maart 2017, met stilte op het eind
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nameThomas' Etude nr (1)-1
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nameThomas' Etude nr (1)-2
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nameThomas' Etude nr (1)-3
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nameThomas' Etude nr (1)-4
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nameThomas' Etude nr (1)-5
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nameBach Giga, figured bass line
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nameSchubert Sonatine in g-klein, deel 4
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nameSchubert Sonatine
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nameBeethoven Romance in G
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nameBeethoven Romance
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nameDvorak Slavonic Dance
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nameDvorak, Slavische Dans
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nameKreisler Schön Rosmarin
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nameGluck, Melodie
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nameDavid Oistrakh - Beethoven Romance in G Major
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nameLeonid Kogan plays Dvorak Slavonic Dance op.72, no.2
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nameKreisler plays Kreisler - Schön Rosmarin
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nameBach Giga0001
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nameBach Giga0002
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nameRode nr 8, blz 1
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nameRode nr 8, blz 9
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nameGluck Melodie0001
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nameGluck Melodie0002
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nameSchubert, Sonatine g-klein, deel 4 (fragment met fade-out)
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nameArthur Grumiaux - Bach Partita No.2 in D minor, BWV 1004 (IV. Giga)
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nameShumsky plays Rode Caprices 8 (bijgesneden dus)
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nameâ„–194 Kogan plays Gluck's Melodie
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nameDSC_0542
copyrightLarissa Prechal
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