Exposition

Musical Source as Part of a Performative Ritual: Crossing borders through Explorative Strategies (last edited: 2018)

Elisabeth Laasonen Belgrano, Johannes Boer, Assi Karttunen, Catalina Vicens, Dinko Fabris, Björn Ross
no media files associated
open exposition

About this exposition

Proposal peer-reviewed and accepted as ”Themed Session”, 18th Biennial conference on Baroque Music, Cremona 10-15 July 2018 In the light of the conference main theme ’Crossing borders’ the aim of this round table / themed session is to develop an experimental discourse departing from a musical source from the period 1550-1750, as part of a performative ritual for crossing borders and strict dichotomies. The objective is to search from new chiasmatic crossings between a musician’s gaze, a musical source from the Baroque era and musicological findings. Following the discourse of letting go of the perceived strict dichotomy between musical text and music performance (Schulze 2015:3) this session proposes a radical move towards a borderless entangled reading of musical sources based on performative methodologies. This approach may allow for new relations to develop between traditional distinctions pronounced through musicological findings and artistic performance methods; it might also allow for closer collaborations between musicologists and artistic researchers in music. Artistic research in music is a fast growing experimental academic field, with a strong link to musicology. Highly significant to this new field is the desire to find ways of merging sensuous (subjective) knowledge with a variety of other research methodologies. The artistic research purpose is often to follow the performing process of understanding a musical score and the active performance practice calling for praxical strategies such as ritual thinking, musicking through texts and theories (ex. hermeneutics, feminist new materalism), reflective/diffractive methodologies, meaning-making through translation studies, essayistic writing, and speculative performance philosophy. For this session four short (5 min.) presentation will be performed with one common point of departure: ‘musical source a part of a performative ritual for crossing borders and strict dichotomies’. With reference to these four presentations the stage will open up for an intra-active and explorative dialogue between all participant in the session.
typeresearch exposition
keywordsMusical source, artistic research, music, musicology, intra-action, crossing borders
date06/01/2018
last modified25/10/2018
statusin progress
share statuspublic
affiliationNordic Network for Early Opera/Inter Arts Center Malmö, Lund University
licenseAll rights reserved
urlhttps://www.researchcatalogue.net/view/420785/420786
external linkhttps://baroquemusicconferencecremona.wordpress.com/home/cfp/


Copyrights

nameROMA1
copyrightEB 2017
licenseAll rights reserved
usagespicture
nameCosi1
copyrightScore1
licenseAll rights reserved
usagespicture
nameCosi2
copyrightEB18
licenseAll rights reserved
usagespicture
nameCosi3
copyrightEB18
licenseAll rights reserved
usagespicture
nameCosi4
copyrightEB18
licenseAll rights reserved
usagespicture
nameIMG_1296
copyrightEB18
licenseAll rights reserved
usagespicture
nameRito
copyrightEB18
licenseAll rights reserved
usagespicture
nameThinking
copyrightEB18
licenseAll rights reserved
usagespicture
nameNishida
copyrightEB18
licenseAll rights reserved
usagespicture
namePureExperince
copyrightEB18
licenseAll rights reserved
usagespicture
nameConfini
copyrightEB18
licenseAll rights reserved
usagespicture
nameinventio 1
copyrightJP18
licenseAll rights reserved
usagespicture

comments: 2 (last entry by Elisabeth Laasonen Belgrano - 02/05/2018 at 17:49)