Exposition

ORNAMENTING-as-a-METHOD: exploring a poetical onto-ethico-epistemology (last edited: 2020)

Elisabeth Laasonen Belgrano
open exposition

About this exposition

The aim of this presentation is to perform an insight into the process of developing a research method, based on a practice-led/diffractive/artistic research methodology. The result includes a true story about a woman’s vocal awakening through the concept of NOTHINGNESS; about seventeenth century voices and musical manuscripts; about voicing experiences in Venice, Kyoto, & Jerusalem; about a collection of poems dedicated to one of the first opera singers – Anna Renz romana - who became NOTHINGNESS on stage; touching on Italian Nothingness and French Je-ne-sais-qua. What will become - as for the end of this story – is an attempt to articulate a process of ornamenting-as-a-method allowing for the emergence of a poetic-onto-ethico-epistemology.
typeresearch exposition
keywordsnothingness, Je-ne-sais-quoi, Anna Renzi, Diffractive methodology, diffraction, voice, 17th century, Onto-epistemology
date17/02/2020
last modified19/02/2020
statusin progress
share statuspublic
affiliationLund University
copyrightEB2020
licenseAll rights reserved
languageEnglish
urlhttps://www.researchcatalogue.net/view/798809/798810


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