Introduction
 
Welcome to my page, where I share the painting process behind my artistic practice. Most of my paintings begin as digital sketches, but I returned to painting to reconnect with its materiality. The tactile experience of working with physical paint is something I miss when creating digitally.

I also incorporate materials from my previous works, particularly screenprinting inks. Unlike traditional acrylics or oils, these inks behave unpredictably, offering an interesting challenge. Exploring their viscosity, texture, and drying process allows me to experiment in ways that conventional paints do not. My goal is to transfer the knowledge and techniques I developed in screenprinting into my painting practice, embracing the unexpected qualities of these materials.

Concept and Story

 

When it comes to the concept or story behind a painting, I don’t begin with a clear idea that I want to visualize. Instead, I start with a hunch—something intuitive and uncertain, yet full of potential. This approach might seem vague, but I find a sense of wonder in following these instincts.

Whether drawing digitally or physically, I never begin with a fixed idea. I prefer to watch the idea take shape as I work. These drawings may stem from a feeling, frustration, or simple curiosity, but they only solidify as they emerge on the canvas.

The main difference between my digital drawings and paintings is scale and immersion. My paintings are larger, and the creative dialogue between myself and the work unfolds over a longer period. However, this process doesn’t begin the moment I pick up a brush—the painting often starts forming much earlier than I can consciously recall.

Purpose

 

As an artist, I want to communicate with an audience. Unlike the sculptural aspect of my practice, where the inspiration starts from a more external, tangible view, my paintings emerge from an internal experience and extend outward to the viewer. I see value in exploring both the similarities and differences between my perspective and that of my audience.

My paintings are not intended as social commentary. Instead, they create visual narratives of mental spaces—spaces that are not physical but can still be felt on a tangible level. Through painting, I seek to visualize my internal worlds, allowing them to take shape in a way that invites interpretation.

Ultimately, I paint for myself, but I also paint for others. My hope is that these works serve as a gateway, connecting the internal and external worlds of both artist and viewer.

Visual Research

Paintings


 

 

 

 

Finished


 

 

Processes

 

 

 

 

I organize my projects into "In Progress," "Pending," and "Finished." You can view images representing each project and click on them.

 

In progress

"I'm currently working on these projects."

 


 

 

 

Pending