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• contents
  • Entry Page
  • Table of Contents
  • The Scenographic Research Practice
  • - Research to Practice, Practice to Research
  • - What is Scenography?
  • - Questions and Intentions Through the Practice
  • - Core Motivation and Arising Methods
  • - Toolkit : Audio Journals
  • - Method : Deep Spatial Listening
  • -- Letter of Method and Tasks
  • - Method : Notations of Spatial Experience
  • -- Citing Kandinsky : Notation Experiment
  • Showcases
  • - Immaterial Investigation : DarkLight
  • - IBB - Enquiring Aural Sensitivity and Empowering the Spectator
  • - Transition Space
  • - Posthumanism Collaboration
  • - Culemborg, 'Station Deja Vu'
  • - Prague Quadrennial '19 : '36Q' Immersive Segment
  • - Arad Desert : Ode to Time
  • Spectatorship
  • - Note on Spectatorship
  • - Method : Feedback Sessions
  • Concluding Note
  • Bibliography, References and Influences
  • Fiona Patten
• navigation
• abstract
  This is the Final Research Document written and arranged by Fiona Patten for the studies of MA Scenography at the Hogeschool voor de Kunsten, Utrecht, class of 2020
• Fiona Patten - Scenography in The Age of Distraction : Re-sensitisation to the Present Moment Through the Audible - 2020
• Meta
• Comments
• Terms