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This is the Final Research Document written and arranged by Fiona Patten for the studies of MA Scenography at the Hogeschool voor de Kunsten, Utrecht, class of 2020

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  • contents
    • Entry Page
    • Table of Contents
    • The Scenographic Research Practice
    • - Research to Practice, Practice to Research
    • - What is Scenography?
    • - Questions and Intentions Through the Practice
    • - Core Motivation and Arising Methods
    • - Toolkit : Audio Journals
    • - Method : Deep Spatial Listening
    • -- Letter of Method and Tasks
    • - Method : Notations of Spatial Experience
    • -- Citing Kandinsky : Notation Experiment
    • Showcases
    • - Immaterial Investigation : DarkLight
    • - IBB - Enquiring Aural Sensitivity and Empowering the Spectator
    • - Transition Space
    • - Posthumanism Collaboration
    • - Culemborg, 'Station Deja Vu'
    • - Prague Quadrennial '19 : '36Q' Immersive Segment
    • - Arad Desert : Ode to Time
    • Spectatorship
    • - Note on Spectatorship
    • - Method : Feedback Sessions
    • Concluding Note
    • Bibliography, References and Influences
    • Fiona Patten
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    This is the Final Research Document written and arranged by Fiona Patten for the studies of MA Scenography at the Hogeschool voor de Kunsten, Utrecht, class of 2020
  • Fiona Patten - Scenography in The Age of Distraction : Re-sensitisation to the Present Moment Through the Audible - 2020
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Fiona Patten