The Research Catalogue (RC) is a non-commercial, collaboration and publishing platform for artistic research provided by the Society for Artistic Research. The RC is free to use for artists and researchers. It serves also as a backbone for teaching purposes, student assessment, peer review workflows and research funding administration. It strives to be an open space for experimentation and exchange.

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Cesty uměleckého výzkumu (2025) Monika Šimková
The publication Paths of artistic research is a collection of interviews with artistic researchers - Andrea Buršová, assistant professor at the Nika Brettschneiderová Dramatic Acting Department, Faculty of Drama, JAMU, Jiří Honzírek, director, manager of the Feste Theatre and PhD student at the Theatre Faculty, JAMU, Barbora Klímová, head of the Studio of Environmental Design at the FFA BUT, Lenka Klodová, head of the Studio of Body Design at the FFA BUT, Lucia Repašská, researcher at the Cabinet for Theatre and Drama Research, Theatre Faculty, JAMU, Hana Slavíková, head of the Studio of Radio and Television Dramaturgy and Scriptwriting, Theatre Faculty, JAMU, Pavel Sterec, artist and former head of the Intermedia Studio at the FFA, BUT, and Lenka Veselá, researcher at the Department of Theory and History of Art at the FFA, BUT and PhD student at the FFA, BUT. These are artists who have been associated with art colleges in Brno, specifically with the Faculty of Fine Arts of the BUT and the Theatre Faculty of the JAMU. Through interviews with the artists, the reader will learn under what circumstances they began to engage in artistic research, how they perceive it, what meanings they attribute to it and the purpose it serves for them. The selected group of artists is very diverse and their creative and research strategies are different, as are the purposes for which they use artistic research. The publication does not aim to provide an exhaustive overview of the methods used in artistic research, but it does aim to show that there are many approaches to artistic research and to present the paths that have brought particular artists to artistic research.
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PD Arts + Creative Symposium 2025 (2025) PD Arts + Creative
The PD Arts + Creative Symposium takes place at LocHal in Tilburg (NL) on 20 June 2025. This year’s symposium will highlight the programme’s multidisciplinary character by zooming in on the diverse fields of practice that its researchers operate in, connect to, and impact. It asks where, how, and with whom does the PD-research resonate? And what is the contribution of artistic and creative research to societal challenges?
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Deeper Canine Topographies: Inhabiting shared spaces, micro-geographies, and micro-choreographies of companion animal world-making. (2025) O'Brien and O'Brien
Following on from my PhD research, Deeper Canine Topographies continues to explore human-canine cartographies, rhythms, repetitions,micro geographies and relational choreographies towards a proposal for future research.
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Wear your shield : We are surrounded by intelligent eyes. We are being watched! (2025) Hossein Fardinfard
Thesis of the Royal Academy of Art, The Hague, 2022 BA Photography My thesis discusses our privacy in the post-digital age where we are surrounded by surveillance cameras that operate by advanced Artificial Intelligence technology and get command from that. The paper begins with an introduction to the concept of "Digital identity" as a contemporary phenomenon used by authorities for the authentication process of people in the virtual world. The thesis clarifies how AI serves and empowers surveillance cameras and how this encounter puts our privacy at stake. Nowadays, most rulers (if not all) misuse this advanced technology in lack of a transparent law in order to monitor individuals in and out of their borders. The discussion ends by demonstrating the role of art and photography in raising awareness, which was one of my main goals for studying this subject in the last year. It also addresses some celebrated contemporary artworks and photo series related to this issue.
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Volatile Life (2025) Ghazale Mohammadi Moqanaki
Thesis of the Royal Academy of Art, The Hague, 2023 MA Artistic research, Volatile Life is a thesis exploring the yearning for emancipation in an uncertain world, examined through puppet theatre. The thesis consists of four prologues that establish the context and motivations for the exploration. The prologues set clear objectives for the thesis, including storytelling as a means of disruption, theatre as a rehearsal for revolution, and reevaluating power dynamics in puppet theatre. Uncertainty serves as the driving force behind the investigation, with the play's structure embracing this uncertainty as a means of exploration. Within the play, a powerful voice gradually emerges, engaging in a dialogue with a girl and transforming into moving shadows that morph between various objects. At the play's conclusion, the voice manifests as a physical head, engaging in a discourse about puppetry. This narrative concept draws inspiration from the Jinn mythology found in Islamic cultures. The Jinn initially manipulates humans through a voice in their heads, gradually gaining power and eventually revealing itself in physical forms when the humans surrender to its influence.
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Vessels of Home: A Search for Belonging (2025) Naomi Arabel Moonlion
Thesis of the Royal Academy of Art, The Hague, 2023 - BA Photography 'Vessels of Home' is a 'Search for Belonging.' As more and more people feel disconnected from the world around them, finding belonging is no longer only a question of physical place, but of creating moments in an imaginative space. These moments of belonging are short-lived, they are hard to grasp and contain in our ever individualizing world. Yet, I believe they can be found and nurtured through conscious acts and rituals. Rowan Moonlion proposes various ways to cultivate moments of belonging, through stories contained in the vessels of Fire, Earth, Water and Air (Le Guin 2020). Firstly, in Fire, regarding human interactions: rejecting patriarchal and capitalist notions of group thinking, by letting go of identity definitions based on difference. Secondly, in Earth, considering nature: returning to our connection to the land, to understand the unifying power of interbeing. Thirdly, in Water, looking within our bodies: searching for sensorial experiences of belonging by making our bodies our homes. Finally, in Air, gazing in our minds and memories, imagining new worlds, holding stories together with our ancestors. Witchcraft and Earth honoring rituals are used as a framework to explain and exemplify the four proposed layers. 'Vessels of Home' combines academic research grounded in queer and feminist theory, conversations with witches and other lived experience stories, poetic reflections taken from Moonlion’s artistic practice, and practical tools like rituals, recipes and affirmations. Together the four layers of belonging and the four types of writing form a unifying whole. Moonlion urges you to connect to your own personal form of belonging, and hopes you will learn to understand the value of trying to live in harmony with all else on this Earth. The elements return again and again in a cyclical manner. The circle of life is ever present.
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