The Research Catalogue (RC) is a non-commercial, collaboration and publishing platform for artistic research provided by the
Society for Artistic Research. The RC is free to use for artists and
researchers. It
serves also as a backbone for teaching purposes, student assessment, peer review workflows and research funding administration. It strives to be
an open space for experimentation and exchange.
recent activities
GOON
(2025)
Pierre Piton
GOON
In 2023, at the age of 28, I was diagnosed with testicular cancer. This life-altering event led me to take a closer look at my sexual desire, question my relationship with my genitals, and rethink how I perceive my gender identity. Today, as I navigate a healing period, I seek to explore sensuality as a space of resistance and emancipation. GOON is an attempt to free myself from the shame surrounding (my) queer sexualities.
GOON is a research performance inviting the audience to look up close at the way they see and seek pleasure. With a choreographic approach, I am researching queer eroticism as a place of joy. Ignoring the constraints of sexual norms, this exploration focuses on shaping a body that is both playful and desired, despite its apparent dirtiness.
RC Visual Map / Screenshot of the RC
(2025)
Casper Schipper
A visual map of the RC. Hover over a screenshot to see the title and author. If you click you will see a gallery with a screenshot of each of its weaves. There is a form which allows you to filter based on title, author, keywords, abstract and date.
For an exposition to appear in this map, it needs to be public (share -> public or published). The map is updated once every 24 hours.
There is an alternative map that allows you to browse all research by keyword.
Recomposing Data: Machine Learning as Compositional Process
(2025)
Bjarni Gunnarsson
This exposition reflects on how machine learning can be integrated with algorithmic composition and live coding to expand digital music creation. The research examines how ML-driven sound analysis, training data, and interactive models reshape compositional workflows. By viewing machine learning as an interpretative and generative process rather than a mere tool, this project challenges conventional boundaries between data gathering, system design, and artistic practice. The discussion is framed through experimental approaches that merge sound synthesis, live coding, and model training, questioning how algorithmic systems can act as both agents of composition and reflective mirrors of musical intention. Through the interplay of structured data, generative models, and exploratory workflows, the study situates machine learning within a broader conversation about creativity, computation, and the evolving role of the composer-programmer.
recent publications
What Counts : On the implications of photography with the commodification of the body in the German healthcare system
(2025)
Patricia Kühfuss
Thesis of the Royal Academy of Art, The Hague, 2022
Master Photography & Society
Using photography as a point of reference, this master thesis explores the political, cultural and scientific structures which allow profit-making with human sickness in the German healthcare system. It is argued how photography — in the form of medical imaging — separates physically representable symptoms from patients and their lived experience, by that creating an abridged representation of life. As healthcare has been deliberately embedded in a profit-oriented market by politicians over the last decades, medical imaging today not only acts as an operational image that gives evidence helping to diagnose a patient, but also as an operational image which facilitates the commodification of the body. This puts the well-being of both patients and medical staff (and therefore society at large) at stake. In the context of this analysis the question arises how photography itself can act as a tool to bring these issues to discussion. Because visual makers themselves deal with the challenge of being part of a profit-oriented system, this demands reexamination of the stories considered worth telling.
Wear your shield : We are surrounded by intelligent eyes. We are being watched!
(2025)
Hossein Fardinfard
Thesis of the Royal Academy of Art, The Hague, 2022
BA Photography
My thesis discusses our privacy in the post-digital age where we are surrounded by surveillance
cameras that operate by advanced Artificial Intelligence technology and get command from that.
The paper begins with an introduction to the concept of "Digital identity" as a contemporary
phenomenon used by authorities for the authentication process of people in the virtual world.
The thesis clarifies how AI serves and empowers surveillance cameras and how this encounter puts
our privacy at stake. Nowadays, most rulers (if not all) misuse this advanced technology in lack of a
transparent law in order to monitor individuals in and out of their borders.
The discussion ends by demonstrating the role of art and photography in raising awareness, which
was one of my main goals for studying this subject in the last year. It also addresses some celebrated
contemporary artworks and photo series related to this issue.
Volatile Life
(2025)
Ghazale Mohammadi Moqanaki
Thesis of the Royal Academy of Art, The Hague, 2023
MA Artistic research,
Volatile Life is a thesis exploring the yearning for emancipation in an uncertain world, examined through puppet theatre. The thesis consists of four prologues that establish the context and motivations for the exploration. The prologues set clear objectives for the thesis, including storytelling as a means of disruption, theatre as a rehearsal for revolution, and reevaluating power dynamics in puppet theatre. Uncertainty serves as the driving force behind the investigation, with the play's structure embracing this uncertainty as a means of exploration.
Within the play, a powerful voice gradually emerges, engaging in a dialogue with a girl and transforming into moving shadows that morph between various objects. At the play's conclusion, the voice manifests as a physical head, engaging in a discourse about puppetry. This narrative concept draws inspiration from the Jinn mythology found in Islamic cultures. The Jinn initially manipulates humans through a voice in their heads, gradually gaining power and eventually revealing itself in physical forms when the humans surrender to its influence.