The Research Catalogue (RC) is a non-commercial, collaboration and publishing platform for artistic research provided by the
Society for Artistic Research. The RC is free to use for artists and
researchers. It
serves also as a backbone for teaching purposes, student assessment, peer review workflows and research funding administration. It strives to be
an open space for experimentation and exchange.
recent activities
SOUNDING OUT the SOUND of OUD
(2025)
DMA
Documentation of preliminary steps and collection of musical material and related reflections during the first Term of the Master's Program in Improvisation and World Music.
December 2022
Silence surrounds us, silence around us – on creativity in communication
(2025)
Erika Matsunami
Silence surrounds us, silence around us – on creativity in communication, which interacts with and addresses the theoretical and practical exploring of the artistic research for Green x (2022 –). Simultaneously, it might be possible to create an artistic method of intervention artistically, which aims at the theoretical level evolutionally.
Is language the tool? If it is yes, what kind of tool is the language? Through the language, what can we produce and provide? Thereby, I address the topic of creativity in communication in reading silently, speech, and listening. On creativity in communication is a play to draw models. Thereby the leitmotif is "reading".
Critical seeing in a model on reading subjectivity and objectivity at the online artistic representational level, Question for on creativity
The research objective(s) is a future idea for physical space and its mobility within virtual space (potentiality) for a new type of idea for notation between tradition and modernity.
In this aspect, towards international communication gaps between tradition and modernity, DADA solved the issue of communication and explored a new way of communication, that was not a philosophical metaphor, but rather that consisted of semiotics and semantics in the context of design, was creative. – New visual and auditory codes. Thereby I deal with “Tractatus logico-philosophicus”, that is a logic of nonsense by Wittgenstein in the theme of space, body and time.
"Silence surrounds us, silence around us" is an artistic research series, after "N.N-Zwischenliegend", I have been started to explore in 2020, after the corona-pandemic.
Hljómkassar / Inorganic Resonators
(2025)
Jón Helgi Hólmgeirsson
Hljómkassar is a project focused on developing and building innovative, directional acoustic speakers from Icelandic materials.
Inorganic Resonators were nominated for Product of the year at the Icelandic Design Awards 2024.
recent publications
Spinozist Mode of Symptomatics
(2025)
Tolga Theo Yalur
Psychoanalysis was meant to be a revolution in the centuries after B. de Spinoza’s work. What is interesting in his view for the psychoanalytic theory is how the human experience of the unusual feeling and joy could be approached. The irruption of these feelings is closely connected to symptomatics in psychoanalysis. Symptomatics of the unusual in language and discursive representation in the analytic experience of, say, Sigmund Freud’s couch was a mode of materialization of the feeling. Imagined from the outside world, the characteristic of repression is always an effect of finding an expression.
La Religion d’Économie Mondiale
(2025)
Tolga Theo Yalur
Les forces religieuses, politiques, culturelles et économiques influencent le monde moderne. Il s’agit de conflits et d’antagonies bien réels, idéologiquement chargés, qui déchirent le monde dans un contexte de formes virulentes de polarisation idéologique, de nationalisme de droite et de fondamentalisme religieux.
Borderline Physical: Digital Twintrine
(2025)
Patrik Lechner
As part of the 'Borderline Physical' PHD Project and the "Spirits in Complexity" PEEK Project, this iteration investigates the auditory landscape of a specific fridge in a specific café in Vienna, Austria.
The fridge is captured into a physically informed model, recreating its surprisingly complex sound emissions. This model is presented as an installation on-site, next to the fridge whose current working status is unknown (it was broken recently). At the SAR the model is treated as a musical instrument and freely used in complete disregard of physical constraints, leading up to a musical performance that explores a different form of artistic exploration of our sonic environment.