Researchers
Electa Behrens 
voice, voicing, vocal expression, Vocal performance, vocal performance philosophy, Contemporary performance, interaction and immersion, Spaces
Marie-Andrée Robitaille 
contemporary circus, performing arts, posthumanism, new materialism, dialogism, dialogical aesthetic, visual art, sonic interaction design, Sonic Arts, Agential realism, pedagogy, circus arts, Bauhaus, indigenous knowledge, circle, nonlinearity, feminist materialism, ontology, non-representational art, Feelings, composition as research, composition, Choreography, choreographic thinking, interdisciplinarity, transdisciplinary, philosophy, non-human, more-than-human, Climate Change, change, nondiscursivity, Semiotics, imagination, poetry as artistic research, walking as a mode of artistic research, fabulation, epistemology, affirmative ethics, ethics of joy, technopoetics
Elsa Kosmack Vaara 
time, artistic research, culinary arts, transdiciplinarity, prototyping, sustainability, participatory culture, participatory design
Linnea Bågander 
fashion practice research, fashion design, motion design, Motion capturing, materiality, materialization, New Materialism, costume design, methods
Zubin Kanga 
Contemporary Music, Technology in Performance, Performance Practice, Music and Multimedia, interdisciplinary performance, interdisciplinary music, piano
Georgios Varoutsos 
Soundscapes, soundwalking, urban space, immersive technologies, acoustic ecology, auto-methodologies, covid-19, field recording, field research
Rasmus Kloster Bro 
cinema, virtualization, virtual art, Storytelling, FILM, Film-making, sketch; draft; test, manuscripts, experimentation, collaboration
Jessica Renfro 
Participation, socially engaged art, new media art, practice-based research, digitality
Polly Hember 
modernism, twentieth century, visual culture, modernity, technology, cinema, modernist poetry, affect, pedagogy, queer theory, networks
Sarah Bennett 
archives, artistic research, site responsive practices, Fine Arts, affect, Higher education in the Arts
Anke Zijlstra 
dance, art education, audiences, embodiment, public space, artistic research, participatory spectatorship
