Researchers

Till Bovermann
sonification, listening, Live-electronics, live coding
Misha Penton
voice, postopera, experimental voice, devised performance, improvisation, poetics, mythopoeia, classical reception, Greek Mythology, fairytale
Karin DE FLEYT
music, temporality, time and space, Stockhausen, contemporary music
Dawn Woolley
consumer culture, feminism, self-portraiture, still life, marxism
Bilge Merve Aktaş
Design research, Craft, felt making, materiality, material agency, practice-led research, entanglements, Textiles
Paula Guzzanti
improvisation, affect, performance-making, dance, Choreographic Research, improvisation practice
Tom Blancarte
double bass, improvisation, networks, evolution, cognitive neuroscience, Actor network theory, translation, Language, AI, saxophone, acoustics, second-order systems, cybernetics
Avery Gosfield
Music, earlymusic, Early music, Early Music research, early music performance, early music pedagogy, Medieval music, renaissance music, Jewish music, recorder, Jewish studies, poetry, Early modern poetry, musicology, Music editing, artistic research, transcultural, traditional music, Italian poetry
Jeffrey Cobbold
digital sound studies, electro-acoustic/experimental music, field recording practices, sound art installation, language-based artistic research, personal digital storytelling, worship arts/Christian education, video production
Bobbie-Jane Gardner
collaborative creative practice, black aesthetic
Svein Petter Knudsen
technology, open source
Anne Selseng
Norge
Puck Verras
play, playfulness, role-play, LARPing, larp, games, theatre, performance, scenography, costume design, set design, game design, Anthropocene, non-human, post-human, Climate, ecology, speculative fiction, speculative design