Torben Snekkestad
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Mark Tatlow
early music performance, early opera, embodied research, the musical event
Elina Seye
ethnography, performance, embodiment, dance, music, Senegal
Joshua Hale
creativity, arts-based research, interdisciplinarity, design, visual art, hybridity, art and environment, human centered design
Beate Körner
psychosocial, normativity, Performance art, performative research, performance, transgression, artistic research, activism, collaborative processes, arts education, affect theory, care
Margarida Dias
arts education, identity, decolonial, antidiscriminatory, feminism
Könemann Flora
sound, Listening space and electroacoustic diffusion, craft, somatic research, dance;, composition, free jazz, frequency, painting process, movement, trance, Colour, transition
Andrea Bonderup
Reproductive rights Reproductive labour, feminism, patriarchy, anthropology, women's rights, women's health, the history of misogyny, PHOTOGRAPHY, poetry, reproductive rights, reproduction labour, feminism, patriarchy, PHOTOGRAPHY, installation, women's rights, women's health, the history of misogyny, anthropology
Olando Whyte
Dance, performance, Dancehall, afrofuturism, Afro-Jamaican dance, Contemporary art, Space, transatlantic cultural heritage, Transatlantic memories, healing, spiritual art, Rituals, Cermonies, historically informed performance, Historical trauma, Generational trauma, PosPost Traumatic slave syndrome, Myalism
Šárka Zahálková
art, participation, soundscape, ecofeminism, engaged listening, field recording, posthumanism, acoustic ecology