CAT HOPE
Animated Music Notation, Experimental music, composition as research, Music Performance
Udo Maria Fon
perception, cognition, field of perception, rooms of perception, information rush, digitality, poetry, data entity, dada, dataism, social entropy, social resonance, metacognition
Jonathan Reus
embodied musical performance, embodied cognition, improvisation and real-time composition, convivial practices, voice and electronics, hardware instruments, software studies, Software Development, electronic music, traditional music, hybrid musical instruments, critical tech
Marc Johnson
animal studies, archival imagination, archival film practice, critical archival studies, critical theory, colonial archives, European heritage, expressions of marginalized identities, film-makers in the archives, film studies, historical consciousness, historicity, historiography, oral history, photographic records, sampling, visual literacy, archival activism, archival amnesty, counter-narratives archives, contested narratives, contre-histoire, liberatory archives, reparative archive
Inge Kengen
performance, belonging, identity, installation, artscience
Thilde Dalager
experimental animation., authorial illustration, abjection, interdisciplinarity, the gaze, Julia Kristeva
Lisa Dillan
improvisation, improvisation exercises., improvisational scores, improvisational theatre, improvisation and real-time composition, improvisation psychology, listening, listening practices, Meditation, concentration, Flow, communication
Riikka Maria Talvitie
composing, contemporary music, collaborative, dialogic aesthetics, distributed creativity
Jessica Emsley
phenomenology, nonhuman, more-than-human, Not-knowing, walking