Marie Fahlin
Choreography, curating, dressage, centaur, centauring, exhibition, exhibitor, articulation, affect, transposition, composition, transcarnation, touch, tack, aids, terminology, ‘found practice’, ‘found choreography’, expanded choreography, one, oneness, manège, poetry, intimacy, listening, entanglement, embodiment, discursivity, diagram, performing, preforming
Matilde Meireles
Extended listening, Interconnectivity, interdependence, Documentation as a creative tool, Participation and collaboration
Bella Merlin
acting, Shakespeare, Directing, verbatim, song-writing
Bruno Moreschi
decolonial studies, computer art, vision, computer vision, institutional critique, Artificial Intelligence (AI), technology, image, Visual Studies, Conceptual art, Contemporary art
Clara Marchana
Sacred, ritual, dance, Choreography, artistic reasearch, dialogue, fragility
Jason Norda
visual art, education, art education, multimedia
Michal Lovecky
digital worlds, metaverse, XR, virtual reality, transdiciplinarity, co-design, co-creation, ocean, immersive technologies, Immersion, marine science, collective action research, impact
Joanna Staruch-Smolec
Music Performance, Belgian school of violin playing, early recordings, 19th-century performance practice, violin
Susi Mikael Nousiainen
performance, writing, collective research in arts, ballet, poetry, embodied writing, Comics, Theatre of the Oppressed, LARPing, social coexistence, organising, social media