Torben Snekkestad
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Daniel Romero Nieto
art based research, materiality, affordances, transformation, Alchemy, creativity process, quantum field
Emlyn Stam
early recordings, 19th century, 19th century performance practice, contemporary music
andy lock
Silence, performance, absence, site-writing, institutional silence, the body, situated writing, familial silence, artistic writing, embodied, site, radio
Emma WIlliams
historically informed performance, 19th century, violin, voice
Lizzie Lloyd
art writing, documentation, Association, Resonances, embodied writing, socially engaged art, writing in practice