THE ART OF THE WALK CYCLE
(2024)
author(s): Rania Ghazali
published in: Stockholm University of the Arts (SKH)
This exploration delves into the potential of emotional storytelling through walk cycles. Moving beyond traditional animation, it utilises the expressive power of modern tools to explore how line, shape, stroke weight, colour, texture, and sound can be manipulated to create abstract narratives that evoke deeper emotional experience for the viewer.
Drawing on a foundation of psychological principles, scientific research, and relevant articles, the walk cycles become abstract narratives, provoking introspection and emotional connection.
Seanergy - Digital Underwater Art Gallery
(2024)
author(s): Michal Lovecky
published in: Stockholm University of the Arts (SKH)
Seanergy Underwater Art Gallery is a digital space that integrates ocean-themed art with technology. It focuses on the co-design of digital experiences with raw nature to foster a genuine connection with the marine environment. This research is my starting point for exploring strategies for incorporating nature into the design process of digital experiences, aiming to enhance engagement and promote environmental stewardship.
Processen
(2024)
author(s): Johanna Schubert
published in: Stockholm University of the Arts (SKH)
Material, kaos och lust i mellanmedvetenheten
Into the Known, a Pathway to Dramaturgy
(2024)
author(s): Picalogy
published in: Stockholm University of the Arts (SKH)
A breakdown of how and why dramaturgy became essential for my artistic work. I go through the development of my dramaturgical thinking starting from the year 2000 when digitalization of media was making its final breakthrough. In this study, I touch on the media field, performing arts, and an online storytelling tool designed to gather and share my practical knowledge of dramaturgy.
Ind proj v1
(2024)
author(s): Max Landergård
published in: Stockholm University of the Arts (SKH)
In this text I’ll show my choice of research method, and how the method will be executed throughout my MA-education at Art of Impact.\ I have made interviews with different directors on their methods, and you will also see quotes from directors derived from other interviews. I will in the text below also talk a bit about the project as a whole and display my angles in documenting my work.*__
My individual project reflects on the relation and conflict between authenticity and compromise in the making of a fiction film.
In this text I will referr to
An interview I’ve conducted with Swedish director and sound technician Carolina Jinde.
An interview I’ve conducted with the Swedish director Ninja Thyberg in the fall of 2022
An interview made with the Swedish director Ruben Östlund in the podcast Värvet from early 2023
An interview with the Swedish director Kay Pollack
Quotes from “Into the woods” by John Yorke
Interviews with myself
Notes from lectures and visits abroad within the MA-class of Art of Impact
Notes from discussion on method in the class
The Feature Short Film
Documentation of the short film
Thoughts on the individual project: Exploration, Ideas and method
Co-poiesis: redefining our relationship with the world through filmmaking
(2024)
author(s): Yasmin Henra van Dorp
published in: Stockholm University of the Arts (SKH)
The research question that motivates this study is: what insights can be drawn from collaborative filmmaking that can illuminate new pathways for interacting with the world around us?
Against the backdrop of contemporary societal and environmental divisions, this artistic research explores ways for redefining relationships, both human and nonhuman, through the lens of the philosophical framework of co-poiesis. Using a practice-led research methodology based on the collaborative process of the short documentary "The Spectacle" this study explores how collaborative practice and sensory engagement can serve as a reflective tool, illuminating our relational dynamics and perceptual interactions with each other and our environment.
