Mission AI
(2025)
author(s): Brigit Lichtenegger
published in: Research Catalogue
In the academic year 2023-2024, we (Brigit Lichtenegger and Han Hoogerbrugge) were asked to research generative AI for the Research Group Material Practices at Willem de Kooning Academy, Rotterdam University of Applied Sciences, the Netherlands.
For this project, we used a research-by-making method. We kept a notebook of the information we gathered during our research.
The notebook reads like a journal, providing an overview of how we have developed possible approaches to integrating AI in our education program.
D.E.A.D.line
(2025)
author(s): s†ëf∆/\/ sch/\efer
published in: Research Catalogue
Experimental article for the Performance Philosophy journal Vol. 9 No. 2 (2024): With the Dead: Performance Philosophy, Dying, and Grief.
Abstract:
The last years the so-called phenomenon “glacier funerals” has appeared and spread globally with the most famous one happening in Iceland (Ok-glacier) in August 2019, followed by amongst others, funerals in Switzerland (Piezol glacier), Mexico (Ayoloco glacier) the United States (Clark glacier). It is one way to cope with ecological grief, an emotional response to the (future) impact of so-called anthropogenic climate change. The funerals differ in execution, but they remain rituals usually performed for humans and are “projected” on glacial beings. This works powerfully for creating awareness of glacier loss and climate change as such. The declared deaths of the glaciers are defined as the loss of the status as a glacier by scientists and are measurable. In this article, I am in for a search for a way to emerge rituals with mountains and glaciers as collaborators, based on a rather personal, partly autobiographic, artistic, and poetic approach, which leads to a better understanding of caring for a mountain and a glacier and bridges the gap between abstract measurable knowledge and a public in a way that it makes the impact of anthropogenic climate collapse sensible.
A Note on the Stigmata of Disbelief
(2025)
author(s): Tolga Theo Yalur
published in: Research Catalogue
The right to have or not to have a religion is a basic human right. Ensuring disbelievers have the same and equal rights with all the citizens of the world – with or without a particular religious inclination – would require globalized legal and cultural structures.
ideally, the biryani that brings us all together
(2025)
author(s): Saniya Jafri
published in: VIS - Nordic Journal for Artistic Research
This Exposition is a brief ironic comment on the ongoing degradation, commodification, and colonisation of food and its many dimensions — recipes, ingredients, context — and a reflection on the territorial definitions that shape identity, in this case of South Asians and the Global South, once bound together as a people and still united in the brieftopian world of the Author’s Greatest Biryani: an amalgamative dish of political and cultural reproductions, drenched in time, where old and new contest identity.
Through a conversational, autoethnographic lens, the exposition blends historical, colonial, and territorial reflections, using Biryani as both departure point and metaphor for shared identity and dislocation. Visual collages — archival, familial, and sourced — act as probes connecting memory, culture, and belonging. Ultimately, the work offers the Author’s Greatest Biryani as a living document of generational knowledge and a utopian gesture, inviting both insiders and outsiders to gather around a dish transcending borders and time.
escalating inter-activity: brieftopic glimpse in site-specific post-human improvised music
(2025)
author(s): Barbierato Leonardo
connected to: Enacting Artistic Research
published in: VIS - Nordic Journal for Artistic Research
There are moments within a performance where destruction and deviation from reality allow an alternative scenario to reveal itself. I argue that these moments can be called ‘brieftopic’, fleeting glimpses into a possible future (Behzad Khosravi Noori, 2024). But what are the connections between reality, deviation and alternative scenario? How can this brieftopia, which materializes for brief moments within a performative event, reverberate outside of it, propagating at a social and political level? During the site-specific improvisation series [in situ], it became evident to me that this brieftopia is tied to an artist’s relinquishment of control, leading to a decentralization of the performance. By introducing the case study, specifically the [in situ] performance held in September 2023 at the Maremma National Park, we will see how unforeseen, unpredictable, and non-linear interactions between myself, the audience, and the non-human components of the ecosystem in which we were immersed, shaped the performance itself, steering it in an unexpected direction and removing it from the continuum of artistic intention, audience perception, and everyday life reflection. In this brieftopia, in a sense, it is existence itself that is reduced to rubble, not for the love of rubble, but for the way out that passes through it, paraphrasing Walter Benjamin.
Photography, Temporality, and Thinking about the Future
(2025)
author(s): Jon Hovland Honerud, Hilde Hovland Honerud
published in: VIS - Nordic Journal for Artistic Research
The photographic image has always historizised; an artifact of the past, photographic moment. But just as it is conditioned by the temporal and material context of its making, its essence – if there is one – is conditioned by how we encounter the image. This encounter involves both the situation in which the image is seen and our individual selves in relation to it – our histories, beliefs, and expectations. To further reflect on this unstable, temporal quality of the photograph, we explore the meaning of looking at the future by looking at photographs. Artistically and philosophically a contradiction in terms, it is still a practice we experience: How to look ahead with something temporally bound to the past. To do this, we reflect on ‘Regarding the Pain of the Future’ by the first author and develop and discuss an artistic practice emphasising a second, photographic moment.
