PROVENIR DEL PORVENIR
(2024)
author(s): Paula Urbano
published in: VIS - Nordic Journal for Artistic Research
In Provenir del porvenir Urbano hovers through the fields of sociology, archaeology and philosophy while reflecting on the different mediations of the work: the guided tour, the performance lecture and the video essay. The exposition is based on a speculative artistic-historiographic project where the artist, in the context and aesthetics of the Museum of History, connects her own genealogy with the North. The investigation is a response to recurrent question to people of color living in Scandinavia: “Where do you come from?” This question leads to an epistemological enquire, discussing the limits of knowledge production on a scientific basis versus knowledge production on an artistic basis.
Fractured Photography
(2023)
author(s): Hilde Hovland Honerud, Jon Hovland Honerud
published in: Journal for Artistic Research
Is it possible to communicate through photography about people in distress? Through this exposition we approach such issues as media imagery and image fatigue, photography of ‘the other’, the privileged position, significant encounters, and reciprocity. We also show how commitment to social issues may relate to such an artistic process as both starting point and outcome. Finally, as this process was a collaboration between art and social science, we explore the roles and processes of such a collaboration, and exhibit the outcomes of the artistic process both as art and as a form of data for academic inquiry.
Interviews with Massimo Cacciari and Franco Rella
(2015)
author(s): Andrea Pagnes
published in: Research Catalogue
Two conversations I had with eminent philosophers and thinkers Massimo Cacciari and Franco Rella on aesthetics, contemporary art and art theory issues in the mid 90s. The interviews are in Italian language as in origin.
