Research Catalogue

an international database for artistic research

• 2. SAR conference - Crisis Collective SAR conference - Crisis Collective
• 1. SAR conference - presentation archive Presentations from the SAR 2021 conference

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  SAR 2021 presentation - for Imani Rameses (2022) author(s): Jonas Howden Sjøvaag, Imani Rameses published in: SAR Conference 2020
  Your morning routine probably consists of waking up, heading to the loo, washing your hands, face, and teeth, then proceeding to the kitchen to make a cup of coffee. You’ll repeat this routine tomorrow but this time, I invite you to perform blindfolded.
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  SAR 2021 presentation - for Ujjwal Utkarsh (2022) author(s): Jonas Howden Sjøvaag, ujjwal utkarsh published in: SAR Conference 2020
  No abstract available
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  Rosie Heinrich & Daisy Hildyard (2022) author(s): Rosie Heinrich, Jonas Howden Sjøvaag published in: SAR Conference 2020
  No abstract available
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  Overlapping Competencies (2022) author(s): Joel Diegert, Jonas Howden Sjøvaag, Adrian Artacho published in: SAR Conference 2020
  Saxophonist Joel Diegert and composer Adrián Artacho began a collaboration in 2014 with a question about real-time electronics in contemporary music: what kind of works could be produced if the electronics were treated as a ‘part of’ the saxophone? In this presentation they look at the composer-performer relationship with a particular interest in projects that employ real-time electronics. They will describe some of the challenges that can arise in co-creative work and offer strategies for collaboration that center on the idea of ‘overlapping competencies’. The work aubiome for soprano saxophone and live electronics, which was developed during Joel’s doctoral research, will be referenced as a case study.
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  Mouvance. Approaches to re-enacting medieval music (2020) author(s): Jostein Gundersen, Ruben Sverre Gjertsen, Alwynne Pritchard connected to: SAR Conference 2020 published in: VIS - Nordic Journal for Artistic Research
  This exposition presents three approaches to re-enactment of medieval musical ideas, as explored through the artistic research project Wheels within Wheels. New approaches to interactions between performers and composers. The research project took place at the University of Bergen, Faculty of Art, Music and Design, Grieg Academy – Department of Music, from 2015 to 2018 under the auspices of the Norwegian Artistic Research Programme. The project led to three concerts and a sound installation. This exposition presents documentation of the results and gives an account of the research materials, tools and work methods, as well as discussing ethical and aesthetical dimensions of the working processes and the results.
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