Research Catalogue

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  Frozen Moments in Motion – An Artistic Research on Digital Comics (2019) author(s): Fredrik Rysjedal connected to: Norwegian Artistic Research Programme published in: Faculty of Fine Art, Music and Design, University of Bergen
  What are the concepts of motion in digital comics? What types of motion can be used in comics and how does motion affect the presentation, the story and even the reader/viewer? This project is a part of the Norwegian Programme for Artistic Research, and it's executed at the Bergen Academy of Art and Design, today called Faculty of Fine Art, Music and Design at the University of Bergen.
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• Future Guides for Cities: From Information to Home (2018) author(s): Michelle Teran published in: Norwegian Artistic Research Programme
  “Future Guides: From Information to Home” is an artistic research project on following: how to practice and theorize following. It was carried out between 2010-2014 within the Norwegian Artistic Fellowship Programme and around the Bergen Academy of Art and Design. A final exhibition of my artistic research, “Your Revolution Begins at Home“, took place at the USF Gallery and Cinemateket in Bergen, September 4-14, 2014. “Confessions of an Online Stalker“, a critical reflection text on artistic results of the research, was submitted in 2015.
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  Between instrument and everyday sound (2018) author(s): Ruben Sverre Gjertsen published in: Norwegian Artistic Research Programme
  The aim of the project is to explore multidimentional, amorphous and vague expressions arising when many aspects of the music are given more independent roles than in traditional musical writing styles. What interests me is to manoeuver within a continuum of means, where the historical sounds of the instruments are there as just one extreme within a continuum.
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  Cross cultural meetings: Traditional music from Setesdal and world musicians (2017) author(s): Ingolv Haaland, Jeremy Welsh, Bjørn Ole Rasch connected to: Norwegian Artistic Research Programme published in: Research Catalogue
  The starting point for the project is a set of recordings by Norwegian folk-musicians of Norwegian folk-songs in the “stev og slåtte” (stave and tune) tradition of Setesdal in Agder. This source material was presented to musicians around the world in various studio sessions. The musicians did immediate responses after listening to a song, connecting to the music and establishing a dialogue. The purpose of this article is to document and provide insight into some of the processes in this artistic research project. The album FERD was released on Grappa Records 17.09.17 and a 70 minute film documentary will be released in 2018.
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  Bulletin No. 3 - NARP (2017) author(s): Norwegian Artistic Research Programme published in: Norwegian Artistic Research Programme
  The bulletins of the Norwegian Artistic Research Programme aim primarily to disseminate artistic research funded and supported by the programme. The bulletin is not a reviewed portal and will not contain other than short descriptions of and links to research work, chiefly on the Research Catalogue but not exclusively. Bulletin No. 3 guides the reader to published by graduated research fellows.
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  V. Bach - Sheets and tablatures (2017) author(s): Andreas Aase connected to: Norwegian Artistic Research Programme published in: Research Catalogue
  The recording "V. (Bach)" (Øra Fonogram, 2016) is the artistic outcome of my research project "Transcribing Johann Sebastian Bach's Lute Music For Guitar Bouzouki" (2015)[1]. I've slowly arrived at a personal way of playing this material, simplified to fit my small, four-course guitar, and I've tried to maintain a Nordic folk music approach throughout. Some music written for other instruments has been added as well. Consequently, the results deviate quite a bit from the direction of the process documented earlier, and things have kept changing even after the recording, which took place in August of 2016. These sheets and tablatures correspond as closely as possible to the music on the record, which is accessible through the most common streaming and download services. The conventional sheet music attempts to show what my arrangements actually sound like, irrespective of instrument, but with significant visual simplifications that belie polyphonic richness; this particularly concerns the duration of bass notes, and individual voice-leading within the music. The ear will hopefully compensate for this when the music is sounded. The tablatures, on the other hand, start from my default tuning (bottom to top F - C - G - D), occasionally using a capo to alter the keys, which adhere to Bach's original ones (I use the capo to maintain access to open strings, an important feature in traditional fiddle music). If you play an instrument within the CBOM (Cittern-Bouzouki-Mandolin) family of plucked folk instruments, the tablatures can work with the fingerings represented here in whichever key you find suitable, or maybe you even have access to the tunings listed here on a different part of your instrument than I do - if, say, you play a five-course instrument.The important thing is to work in an essentially fifths-based tuning. Some of the movement titles are Norwegian-language approximations that are commonly in use among musicians in my part of the world. - - - Arranged and performed by Andreas Aase Produced by Jo Ranheim and Andreas Aase Mastered by Karl Klaseie All work conducted at Øra Studio, Trondheim Supported by Nord Universitet, Levanger, Norway [1] https://www.researchcatalogue.net/profile/show-exposition?exposition=85891
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