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• 2019. 2019 Expositions 2019

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  Armenian Fingerprints (2019) author(s): Mariam Kharatyan published in: Norwegian Artistic Research Programme
  "Armenian Fingerprints - interpreting the piano music of Komitas and Khachaturian in light of Armenian folk music" is an artistic research project by pianist Mariam Kharatyan, at the University of Agder and the Norwegian Artistic Research Programme, during 2015-2019. Mariam Kharatyan is an Armenian classical pianist. Throughout this project she has been focused on the interpretation of classical piano music from the performer's perspective, aimed to find her own way of interpreting several major piano compositions written by the Armenian composers Komitas (1869-1935) and Aram Khachaturian (1903-1978). Approaching the interpretation strongly inspired from Armenian folk music, she has explored in-depth the impact of the interplay between classical and folk music in her playing, and what interpretational possibilities might emerge in piano works of Komitas and Khachaturian when listening to Armenian folk music and responding to it through musical expression in classical pianism. This exposition is the reflection of the project, on artistic processes, choices, and results.
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  Frozen Moments in Motion – An Artistic Research on Digital Comics (2019) author(s): Fredrik Rysjedal connected to: Norwegian Artistic Research Programme published in: Faculty of Fine Art, Music and Design, University of Bergen
  What are the concepts of motion in digital comics? What types of motion can be used in comics and how does motion affect the presentation, the story and even the reader/viewer? This project is a part of the Norwegian Programme for Artistic Research, and it's executed at the Bergen Academy of Art and Design, today called Faculty of Fine Art, Music and Design at the University of Bergen.
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• Future Guides for Cities: From Information to Home (2018) author(s): Michelle Teran published in: Norwegian Artistic Research Programme
  “Future Guides: From Information to Home” is an artistic research project on following: how to practice and theorize following. It was carried out between 2010-2014 within the Norwegian Artistic Fellowship Programme and around the Bergen Academy of Art and Design. A final exhibition of my artistic research, “Your Revolution Begins at Home“, took place at the USF Gallery and Cinemateket in Bergen, September 4-14, 2014. “Confessions of an Online Stalker“, a critical reflection text on artistic results of the research, was submitted in 2015.
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  Between instrument and everyday sound (2018) author(s): Ruben Sverre Gjertsen published in: Norwegian Artistic Research Programme
  The aim of the project is to explore multidimentional, amorphous and vague expressions arising when many aspects of the music are given more independent roles than in traditional musical writing styles. What interests me is to manoeuver within a continuum of means, where the historical sounds of the instruments are there as just one extreme within a continuum.
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  Cross cultural meetings: Traditional music from Setesdal and world musicians (2017) author(s): Ingolv Haaland, Jeremy Welsh, Bjørn Ole Rasch connected to: Norwegian Artistic Research Programme published in: Research Catalogue
  The starting point for the project is a set of recordings by Norwegian folk-musicians of Norwegian folk-songs in the “stev og slåtte” (stave and tune) tradition of Setesdal in Agder. This source material was presented to musicians around the world in various studio sessions. The musicians did immediate responses after listening to a song, connecting to the music and establishing a dialogue. The purpose of this article is to document and provide insight into some of the processes in this artistic research project. The album FERD was released on Grappa Records 17.09.17 and a 70 minute film documentary will be released in 2018.
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  Bulletin No. 3 - NARP (2017) author(s): Norwegian Artistic Research Programme published in: Norwegian Artistic Research Programme
  The bulletins of the Norwegian Artistic Research Programme aim primarily to disseminate artistic research funded and supported by the programme. The bulletin is not a reviewed portal and will not contain other than short descriptions of and links to research work, chiefly on the Research Catalogue but not exclusively. Bulletin No. 3 guides the reader to published by graduated research fellows.
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