Exposition

Betwixt and Between (2025)

Max Spielmann, Daniel Hug, Catherine Walthard, Andrea Iten

About this exposition

At the beginning of the COVID-19 pandemic in 2020, we, in our role as lecturers, conducted hybrid workshops with design and art students from ten partner institutions on five continents. Our goal was to explore soundscapes from different viewpoints, and we were deeply impressed by the outcome. The recordings and their accompanying images and conversations dissolved geographical borders along with social, cultural, and structural differences. Following Hartmut Rosa, we understand this atmosphere of connection produced between the participants and the soundscapes themselves to be a resonance space, which only became explicit to us after some time had passed. In this article, we re-interpret this space through personal recollections and theoretical positions, and claim that such a collaboration holds pedagogical and artistic implications for future teaching and creative practice. These include not only the impact upon technology in the classroom, temporal perception, inter-relationality, and care practices, but also the artistic benefits of opening up spaces of resonance as a means of engaging with the challenge of intercultural communication and witnessing in our global world.
typeresearch exposition
keywordsSoundscape, Acoustic ecology, aesthetics, perception, resonance, Art/Design education, landscape, intercultural dialogue
date02/06/2025
published11/12/2025
last modified11/12/2025
statuspublished
affiliationAcademy of Art and Design Basel FHNW / Zurich University of the Arts, Department of Music,
copyrightAndrea Iten, Catherine Walthard, Daniel Hug, Max Spielmann
licenseCC BY-NC
languageAmerican English
urlhttps://www.researchcatalogue.net/view/2811323/2854469
doihttps://doi.org/10.22501/ruu.2811323
published inRUUKKU - Studies in Artistic Research
portal issue23. Re-Imagining

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