Exposition

The Sound Horizon: multilayered composition for headphones and loudspeakers (2025)

Alam Hernández / Blarewolf
Alam Hernández, Yannis Kyriakides

About this exposition

Music is bound to space; music happens in a space. There cannot be music without space, still, the vast majority of music throughout history has been mainly focused on "what happens when" rather than "what happens when and where.” Today, with the advent of Virtual Reality, Dolby Atmos, binaural recording, and surround systems musicians and listeners are developing a more refined sensitivity and creativity toward sound localisation and spatialisation. Space is gradually attaining greater significance in the way we perceive and conceptualise music. Moreover, the introduction of headphones into the audio market substantially affected the way we perceive music today. The present work describes the creative process and the results of two electronic music pieces for speakers and headphones which were composed for exploring the perceptual thresholds in which musical materials are perceived as connected or disconnected from each other. I hope this work ignites curiosity in the reader, inspires creation, and motivates reflection on the meaning of space, connection, and isolation. DISCLAIMER: The webpage takes some seconds to fully load.
typeresearch exposition
keywordssound, horizon, blare, wolf, spatial, music, Spatial Audio, spatialization, headphones, speakers, 8D audio, VR, virtual reality, space, multimedia, composition, acousmatics, acousmatic music
date13/11/2024
published18/06/2025
last modified18/06/2025
statuspublished
share statusprivate
copyrightAlam Hernández
licenseAll rights reserved
languageEnglish
urlhttps://www.researchcatalogue.net/view/3174997/3174998
doihttps://doi.org/10.22501/koncon.3174997
published inKC Research Portal
portal issue1. Master Research Projects
external linkhttps://www.blarewolfofficial.com/


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