Exposition

Sculpting Music Performances: About Choreomania and the Process of Shaping a Performance (2025)

Silvia De Teresa Navarro

About this exposition

This research explores how choreomania - the historical phenomenon of uncontrollable, communal dance “plagues” that emerged in the Middle Ages - can inform and shape my artistic practice. Central to this inquiry is the question: how does choreomania influence my creative process and the way I shape my performance practice as a classically trained pianist? The study unfolds three main blocks. First, an essay examines the conceptual formation of choreomania, its contemporary relevance, and its impact on my artistic work. Simultaneously, I observe and document the creative processes of artists-in-residence during my internship at the residency programme "Choreomania - Bodily Excess, Collective Unrest". The thrid block involves an experimental playground consisting of several performance try-outs, each rigorously documented, analysed, and reflected upon. Adopting a rhizomatic approach, I explore performance-making as a fluid, irregular process. The resulting performances weave together classical piano, improvisation, movement, voice, collaboration, live-electronics, audience engagement, and the submerged elements of choreomania. The research culminates in a synthesis and reflection of the entire process, offering new insights into performance-making.
typeresearch exposition
keywordschoreomania, creative process, experimentation, collaboration, interdisciplinary, transdisciplinary, socially engaged art, choreography
date05/03/2025
published30/06/2025
last modified30/06/2025
statuspublished
share statusprivate
copyrightSilvia De Teresa Navarro
licenseCC BY-NC-ND
languageEnglish
urlhttps://www.researchcatalogue.net/view/3193793/3193794
doihttps://doi.org/10.22501/koncon.3193793
published inKC Research Portal
portal issue1. Master Research Projects

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comments: 1 (last entry by Stefan Petrovic - 05/03/2025 at 22:46)