Lessons in the Shadows of Death (last edited: 2019)

Elisabeth Belgrano

About this exposition

The aim of this project is to investigate vocal ornamentations in French baroque composer Michel Lambert's (1610-1696)'Leçons de Ténèbres. It is an artistic research project where vocal performance practice is diffracted through Karen Barad's theory on agential realism and Japanese philosopher Kitarō Nishida's concepts of Action-Intuition and Basho. Project collaborators: Prof. Mayuko Uehara, Dr. Elisabeth Belgrano, Ami Skånberg Dahlstedt. For audio recordings in Jerusalem: Frederic Ogéus - organ, Drew Minter - recording producer, Frank Cunningham - recording engineer.
typeresearch exposition
keywordsvoice, voice studies, baroque music, Leçons de Ténèbres, nothingness, Je-ne-sais-quoi, Basho, Agential realism, New Materialism, performance, performativity, Ornamentation, Michel Lambert, Nishida Kitaro, Nishida, Diffractive methodology, diffraction, self-reflective practice, self-contradiction, Acting Intuition, Acting-Intuition, artistic research, practice-led research, performance philosophy
last modified09/01/2019
affiliationInter Arts Center, Malmö/ Lund University

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