Exposition

Monsters I Love: On Multivocal Arts (2019)

Alex Nowitz

About this exposition

Proposing a ‘multivocal practice’ in the vocal arts, this exposition (documented artistic research project) embodies an inclusive approach to four core categories for the contemporary performance voice: the singing, speaking, extended and disembodied voice. The culmination of a four-year PhD project in Artistic Practices (Performative and Mediated Practices, with specialisations in choreography/film and media/opera /performing arts), it documents artistic research sub-projects through the presentation of multimedia material, interweaving performance recordings with reflective and contextualising texts. Multivocality addresses various models of virtuosity, all of which are informed by a multi-faceted artistic knowledge, whether experimental or experiential, technical or technological, improvisational or compositional. Contemporary vocal performance practices are loaded by questions pertaining to detecting and solving technical issues that span the vocal domains. Through a range of artistic practices—vocal, oral, bodily and technology-related—the research project unfolds what is conceived as a bountiful ‘vocal imaginary’. When voice and body meet technology-related practices that aim at the expansion of the vocal realm by using custom and gesture-controlled live electronics, a performance æsthetics of the in-between emerges. This is explored via the ‘strophonion’, formerly built at STEIM in Amsterdam and, during the course of the PhD, further developed by Berlin-based software programmer Sukandar Kartadinata who created an intricate configuration on the basis of the audio processing application Max/MSP. Through the formulation and performance of ‘The Manifesto for the Multivocal Voice’—a ‘discursive solo performance act’ that aims to provide insights into principles and premises, and to develop the discourse on the politics of today’s performance voice—the exposition attempts to establish a potential theoretical and philosophical grounding for multivocality. Its second major concern relates to the poetics of the voice, investigating the thresholds of highly individualised vocal practices by asking: what are the boundaries of the contemporary performance voice? The exposition (on the Research Catalogue) comprises video and audio documentation of public live performances, lectures and artists’ talks as well as studio productions and rehearsals. The user is invited to study scores and various texts, such as poems, extended programme notes, translations, performance instructions, comments and other reflections. The collection of essays and articles that guide the user through the edifice of ideas that the artistic research project has unveiled remains central to the endeavour.
typeresearch exposition
keywordsacousmatic and disembodied voice, æsthetics of uncertainty and in-between, composer-performer, contemporary vocal performance art, custom musical instrument, DIY, digital musical instrument (DMI), electronic and electroacoustic music, expanding the field of vocal performance art, extended practice, extended vocal techniques, extending the voice, gesture-controlled live electronics, improvisation and real-time composition, inclusive vocal performance practises, interactive sound and music, multidirectional listening, multivocality, multivocal voice, new vocality, sampling practises for vocal and musical improvisation, schizophonic practices, sensor-based and computer-based technology, singer-composer, sound art, sound technology, STEIM, strophonion, vocal materiality and liminality, vocal personas, vocal sound dance, wireless technology
date26/07/2018
published04/02/2019
last modified04/02/2019
statuspublished
share statuspublic
affiliationUniversity College of Opera at the Stockholm University of the Arts
licenseAll rights reserved
urlhttps://www.researchcatalogue.net/view/492687/559795
published inStockholm University of the Arts (SKH)
portal issue0. X-position
external linkwww.nowitz.de


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492983 Aural Score: The Live Version Alex Nowitz All rights reserved
492985 Aural Score: The Live Version (left channel) And The Audio Template (right channel) Alex Nowitz All rights reserved
492988 Panache (Angela Wingerath) Alex Nowitz All rights reserved
492990 Panache (Timo Hannig) Alex Nowitz All rights reserved
492992 Panache (Carl Thiemt) Alex Nowitz All rights reserved
492994 Panache (Felix Schwandtke) Alex Nowitz All rights reserved
492996 Panache (Maria Meckel) Alex Nowitz All rights reserved
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493044 Nowitz_Rose_Duet_Nownow2015_part 3 Alex Nowitz All rights reserved
493055 Goldbergtangenten Dortmund_Perf_part 1 Alex Nowitz All rights reserved
493069 Goldbergtangenten Dortmund_Perf_part 2 Alex Nowitz All rights reserved
493075 Goldbergtangenten Dortmund_Perf_part 3 Alex Nowitz All rights reserved
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494040 Panache_Score_Page 1 Alex Nowitz All rights reserved
494042 Panache_Score_all pages_Performance_Instructions_2ndRevision Alex Nowitz All rights reserved
494158 Panache_Titelbild Alex Nowitz All rights reserved
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494301 Frame_Tongue Slaps Alex Nowitz All rights reserved
494302 Schaumspuren_04_27July2018_Column01 Alex Nowitz All rights reserved
494304 Schaumspuren_04_27July2018_Column02 Alex Nowitz All rights reserved
494307 Schaumspuren_04_27July2018_Column03 Alex Nowitz All rights reserved
494309 Schaumspuren_04_27July2018_Column04_AuthorDatePlace Alex Nowitz All rights reserved
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495769 T&G prg Alex Nowitz All rights reserved
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496658 Strophonion_Equipment Alex Nowitz All rights reserved
496661 NowitzStrophonion_Original_JaninaJanke a All rights reserved
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499134 014_Mouth is the Place_04_title Alex Nowitz All rights reserved
499155 BlackSlides, in loose order Alex Nowitz All rights reserved
499158 WhiteSlides, in loose order Alex Nowitz All rights reserved
501552 Note on Postcolonial Issue Alex Nowitz All rights reserved
501580 Critique by Marica Bodrozic_2 Alex Nowitz All rights reserved
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503334 TheBlackSlides, in loose order_02 Alex Nowitz All rights reserved
504350 ACOUNT OF PhD_Sub-projects_Seminars_Courses, Activities_2Sept alex nowitz All rights reserved
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511040 Image_Monsters I Love A All rights reserved
511126 Image_Monsters I Love_02 Alex Nowitz All rights reserved
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512515 014_MONSTERS I LOVE_08_title Alex Nowitz All rights reserved
549703 Introduction to The Field_20 Alex Nowitz All rights reserved
549707 Introduction to The Field_21 Alex Nowitz All rights reserved
549708 Introduction to The Field_22 Alex Nowitz All rights reserved
549776 Introduction to The Field_23 ALex Nowitz All rights reserved
549931 Introduction to MONSTERS I LOVE_15 Alex Nowitz All rights reserved
549932 Introduction to The Field_24 Alex Nowitz All rights reserved
550311 Introduction to The Field_25 Alex Nowitz All rights reserved
550312 Introduction to MONSTERS I LOVE_16 Alex Nowitz All rights reserved
559748 MOVING TONGUE PT 1A Alex Nowitz All rights reserved
559794 MOVING TONGUE PT 1B Alex Nowitz All rights reserved
559797 Stroph_Series_01 (up)_PhD Alex Nowitz All rights reserved
559799 MOVING TONGUE PT 2 0110 Alex Nowitz All rights reserved
559802 Stroph_Series_02 (down)_PhD Alex Nowitz All rights reserved
560044 ARWEI proceedings_Manifesto_380-394_full extraction copy Alex Nowitz All rights reserved
560048 ARWEI proceedings_Manifesto_380-394_full extraction Alex Nowitz All rights reserved
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560366 ESSAY_Cover_Intercourse with Gthosts Alex Nowitz All rights reserved
560367 ESSAY_Cover_Intercourse with Gthosts Alex Nowitz All rights reserved
560368 Article_Cover_Designing Alex Nowitz All rights reserved
560369 Article_Cover_ The Manifesto for the Multivocal Voice Alex Nowitz All rights reserved
560370 Essay_Cover_Doing Things with the Mouth Alex Nowitz All rights reserved
560371 ESSAY_Cover_Introduction to the FIELD Alex Nowitz All rights reserved
560374 ESSAY_Cover_Introduction to ARP Monsters Alex Nowitz All rights reserved
560375 ESSAY_Cover_Introduction to ARP Monsters Alex Nowitz All rights reserved
560377 ESSAY_Cover_Concluding Remarks Alex Nowitz All rights reserved
560379 ESSAY_Cover_References Alex Nowitz All rights reserved
560380 GLOSSARY_Cover Alex Nowitz All rights reserved
560382 Acknowledements_Cover_01 Alex Nowitz All rights reserved
560388 Intercourse with Ghosts_Haunted Territories_ESSAY_16 Alex Nowitz All rights reserved
560389 Intercourse with Ghosts_Haunted Territories_ESSAY_16 Alex Nowitz All rights reserved
560522 12_Monsters I Love_Acknowledgements Alex Nowitz All rights reserved
560543 Concluding Remarks_04 Alex Nowitz All rights reserved
560564 Intercourse with Ghosts_Haunted Territories_ESSAY_17 Alex Nowitz All rights reserved
560570 11_Monsters I Love_Acknowledgements_03 Alex Nowitz All rights reserved
560574 ARWEI proceedings_Manifesto_380-394_full extraction_Reference copy Alex Nowitz All rights reserved
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560589 Doing things with the Mouth—an excursion_02 Alex Nowitz All rights reserved
560590 Doing things with the Mouth—an excursion_02 Alex Nowitz All rights reserved
560636 Introduction to MONSTERS I LOVE_21 Alex Nowitz All rights reserved
560637 ESSAY_Cover_Introduction to the EXPOSITION Monsters Alex Nowitz All rights reserved
560639 CEC — eContact! 18.3 — Designing and Playing the Strophonion: Extending vocal art performance using a custom digital musical instrument by Alex Nowitz copy_REFERENCE Alex Nowitz All rights reserved
560641 Introduction to The Field_29 Alex Nowitz All rights reserved
560730 Foto THE STILL, silent Alex Nowitz All rights reserved
560754 Monsters I Love_Glossary_05 Alex Nowitz All rights reserved
560765 Monsters I Love_BIBLIOGRAPHY_02 Alex Nowitz All rights reserved
562822 Introduction to MONSTERS I LOVE_21_CorrectedLink Alex Nowitz All rights reserved
562833 Introduction to The Field_29_CorrectedLink Alex Nowitz All rights reserved
562839 Doing things with the Mouth—an excursion_02_CorrectedLink Alex Nowitz All rights reserved
562943 Intercourse with Ghosts_Haunted Territories_ESSAY_17_Corrected Link Alex Nowitz All rights reserved
563032 Concluding Remarks_04_Corrected Link Alex Nowitz All rights reserved
563033 Monsters I Love_Glossary_05_Corrected Link Alex Nowitz All rights reserved
563034 Monsters I Love_Glossary_05_Corrected Link_02 Alex Nowitz All rights reserved
563035 Monsters I Love_BIBLIOGRAPHY_02_CorrectedLink Alex Nowitz All rights reserved
563038 11_Monsters I Love_Acknowledgements_03_Corrected Link Alex Nowitz All rights reserved

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