Bibliografia

 

 

Biggs, Michael, and Henrik Karlsson. The Routledge Companion to Research in the Arts. London, UK: Routledge, 2012.

 

Borgdorff, Henk. The Conflict of the Faculties. Perspectives on Artistic Research and Academia. Amsterdam, Netherlands: Leiden University Press, 2013. https://doi.org/10.26530/OAPEN_595042.

 

Byrd, Chris. “HyperTexture .” Worcester Polytechnic Institute, 1997. https://web.cs.wpi.edu/~matt/courses/cs563/talks/cbyrd/pres2.html.

 

Gottschalk, Jennie. Experimental Music since 1970. New York, USA: Bloomsbury Academic, an imprint of Bloomsbury Publishing, 2017.

 

Hannula, Mika, Juha Suoranta, and Vadén Tere. Artistic Research: Theories, Methods and Practices. Helsinki, Finland: Academy of Fine Arts, 2005.

 

Josel, Seth F., and Ming Tsao. The Techniques of Guitar Playing. Kassel, Germany: Bärenreiter, 2014.

 

Lehman, Harry. Rewolucja Cyfrowa w Muzyce. Filozofia Muzyki. Warsaw, Poland: Fundacja Bęc Zmiana, 2016.

 

Pasiecznik, Monika. “Tworzę Totemy. Z François Sarhanem Rozmawia Monika Pasiecznik.” Didaskalia 142 (December 2017).

 

Perlin, Ken, and Eric M. Hoffert. ACM SIGGRAPH Computer Graphics 23, no. 3 (July 1989). https://doi.org/https://doi.org/10.1145/74334.74359.

 

Samimi Mofakham,Yashar, Rafie Tarlan, Assmann Peter, and Pereña Helena. Solace of Lovers. Trost Der Liebenden. Innsbruck, Austria: Haymon Verlag, 2020.

 

Sethares, William A. Tuning, Timbre, Spectrum, Scale. London, UK: Springer, 2005.

 

Wishart, Trevor, and Simon Emmerson. On Sonic Art. London, UK: Routledge, 2002.