Research Catalogue

Pagina para recopilar los textos y ejercicios del modulo, Sensilidades del lenguaje.

A silence lingers where words once stood, a fragile pause between what was said and what remains forever untold. I’m gonna build the cemetery of echoes, words suspended in time, each gaze a question, each absence a weight. Fragments of lives held in stillness, unfinished moments longing for release. Across the space, words rise like shadows. Memory dances with loss, the tangible and the fleeting entwined. It is not closure we seek, but the tender acknowledgment of incompleteness.

A visual map of the RC. Hover over a screenshot to see the title and author. If you click you will see a gallery with a screenshot of each of its weaves. There is a form which allows you to filter based on title, author, keywords, abstract and date. For an exposition to appear in this map, it needs to be public (share -> public or published). The map is updated once every 24 hours. There is an alternative map that allows you to browse all research by keyword.

Wixárika crafts are a testament to resilience and adaptability, they have been preserved since pre-Hispanic times. The evolution of some of these over the past century, influenced by global movements in the 1960s, has created a niche for Wixárika art and craft. Influenced by tourism, new styles, colors, and symbols have been introduced, serving as a form of resistance against the erasure of traditional knowledge and practices 500 years after the colonial period. Tsik+ri has gained global popularity as a method to create decorative geometric yarn pieces, but this craft not only provides insights about Indigenous cultures, experiences, and embodied knowledge, but also raises discussion about land and cultural appropriation by non-Indigenous individuals. In this exposition, I present a series of workshops held in the region of the Arctic Circle, where a development project is taking place to improve and enhance the use of sustainable wool by revitalizing craft heritage in a multicultural way. The method of this study is Art-Based Action Research. The study makes visible an essential feature of this textile artifact: its ability to transcend geopolitical and cultural borders, embodying a unique fusion of heritage and contemporary design. Indigenous craft practices from the Mesoamerican Wixárika culture, such as the Tsik+ri, are rooted in the multicultural identity of Mexico. The workshops served as platforms to communicate the culture and challenges of Wixaritari to Arctic and international contexts. This research sustains that implementing craft practices in the context of contemporary art requires profound knowledge and respect for its origins.

AMASS–AMAS–WEIRD oli Utsjoella vuonna 2021 toteutunut yhteisötaideprojekti osana Euroopan Union rahoittamaa Acting on the Margins: Arts as Social Sculpture -tutkimushanketta (2020–2023). Euroopan reuna-alueiden vuorovaikutusta ja yhteistyötä lisäävä taideperustainen toimintatutkimus sisälsi yhteisötaiteen, sosiaalisesti sitoutuneen taiteen ja taidekasvatuksen kehittämistä paikallisyhteisöissä. AMASS–AMAS–WEIRD -toteutettiin Lapin yliopiston yhtenä vastuualueena ja osana delokolonisoivan arktisen taiteen viitekehystä, vaikkakin eurooppalaisessa hankejärjestelmässä, johon sisältyy Euroopan yhtenäisyyden taustatavoitteita. Tässä ekspositiossa tarkastelemme taidekäsityksen arktista dekolonisaatiota, yhteisötaidetta, kuvataidekasvatusta ja hankkeen tutkimusprosessia dekolonisaation näkökulmista. AMASS–AMAS–WEIRD vahvisti kulttuurisen moninaisuuden kunnioitusta ja tuki vuorovaikutusta saamelais- ja suomalaiskulttuurien sisällä ja niiden välillä. Jännitteitä ilmeni niin sanottuun tutkimusähkyyn, marginaalisuuden olettamaan sekä rahoitusinstrumenttiin liittyen. Johtopäätöksenä korostamme taiteen ja tutkimuksen kolonialististen rakenteiden ja eettisten periaatteiden kriittisen tarkastelun merkitystä kulttuurien dialogista kohtaamista tukevan ja yhteyksiä luovan toiminnan kehittämisessä.

Autistic people have six senses: taste, smell, touch, hearing, sight, and then words. Words are a sense that cannot be compared to other senses but allows them to leak in. Words have taste and smell, they are tactile, scratch the skin, bulge in the kidneys, they look: the shape of the letters in different writing styles, they have sounds, sounds when they sound inside the brain and when they say themselves, they are a movement a dance. But all these qualities still cannot define the words. For the words are their own. Their own mind.