The Research Catalogue (RC) is a non-commercial, collaboration and publishing platform for artistic research provided by the
Society for Artistic Research. The RC is free to use for artists and
researchers. It
serves also as a backbone for teaching purposes, student assessment, peer review workflows and research funding administration. It strives to be
an open space for experimentation and exchange.
recent activities
The Agenda Group
(2025)
FJ
The Agenda Group is a research group based at KMD, connecting artistic practices "with an agenda". The group enables crossover methods rather than media specificity, allowing space for different participants. "An agenda" is here understood as an aspect of socially engaged art practices. This relates to people, narratives and history alike and is about our shared values and contribution to society as artists. The engagement relates to issues outside of the artistic context and investigates how these issues might be mediated and moderated with
artistic means.
The Agenda Group is open for all kinds of artistic practices, but the focus of the discussions will be on artistic practice "as crucial to both individual and societal change and development" (KMD
Strategic Plan). The relationality between art and society is never as simple as it seems and these reflections involves the thinking of intensity in addition to formats, translation and displacement.
In this sense the agenda of an artistic project is crucial to the understanding of its implications.
The Agenda Group is a pragmatic platform to connect various members of staff at KMD (artistic-researchers, post-docs, PhD’s and maybe even MA-students). The main purpose is to meet
regularly, presenting and discussing the artistic research of each of the group members. An internal critical agenda.
Research group initiator: Professor Frans Jacobi
recent publications
Home page JSS
(2025)
Journal of Sonic Studies
Home page of the Journal of Sonic Studies
All Tomorrow´s Parties: post pandemic dancing
(2025)
Brynjar Åbel Bandlien
All Tomorrow´s Parties: post pandemic dancing is an artistic research that undertakes the task of discovering how hiv and aids has affected the Norwegian dance scene in the 1980´s and 1990´s and all the way up until today. Many dancers got infected by the virus, lived with hiv, and died of aids. Who were they? What were they dancing? And what kind of dances would they have danced had they not died too early? By interviewing the survivors, this project aims to map out how the Norwegian dance scene was affected by this pandemic, outline the hole left behind by this generation that disappeared, and try to fill it by creating dances that they could have danced.