The Research Catalogue (RC) is a non-commercial, collaboration and publishing platform for artistic research provided by the
Society for Artistic Research. The RC is free to use for artists and
researchers. It
serves also as a backbone for teaching purposes, student assessment, peer review workflows and research funding administration. It strives to be
an open space for experimentation and exchange.
recent activities <>
Cartilla Danza Inclusiva
(2024)
Laisvie Andrea Ochoa Gaevska, DAVID BERNAL
Cartilla que presenta buenas prácticas sobre danza inclusiva y accesible. Realizada por ConCuerpos
Parte del Proyecto Danza para la Diversidad 2023. Apoyado por la Beca para el reconocimiento y la activación del patrimonio cultural de Sectores Sociales del Instituto Distrital de Patrimonio Cultural
Pondering with Pines - Miettii Mäntyjen Kanssa - Funderar med Furor
(2024)
Annette Arlander
This exposition documents my explorations of pondering with pine trees.
Tämä ekspositio dokumentoi yritykseni miettiä mäntyjen kanssa.
Den här ekspositionen dokumenterar mina försök att fundera med furor.
FAUNA / Artistic research through community based artistic work
(2024)
Nino de Cobre
FAUNA is a community based project in gothemburg ..
recent publications >
environment embodiment - towards poetic narratives
(2024)
Fernanda Branco
This exposition presents the PhD Artistic Research project environment embodiment - towards poetic narratives (2020-2024) by Fernanda Branco at the Oslo National Academy of the Arts. This artistic research explores experiential agency in encounters between body and environment. It draws from uncanny, embodied, and poetic perspectives and unfolds as a constellation of sympoietic practices.
Fernanda Branco has designed this exposition in collaboration with web designer Ellen Palmeira.
Illustrations by Aza.
Drawings by Francisco Blixt.
Cards and booklets designed by Amanda Costa.
Echoes - An exploration of the African rhythmic influence in Costa Rican folk music
(2024)
Nelson Briceño Peraza
This exposition presents my final project for the Master of Arts in Jazz Performance, Drumset, undertaken from autumn 2022 to spring 2024. The project was motivated by my exposure to diverse African rhythms, which revealed potential connections with the traditional music of my Costa Rican heritage. Growing up surrounded by Costa Rican folk music, including African-origin instruments such as the marimba, quijongo, as well as cimarronas (street bands), deeply influenced my musical identity. This project aims to explore and integrate these rhythms, tracing their African roots and merging them with contemporary musical forms.
Inspired by Henry Cole's perspective on folklore as the essence and life of music, this research emphasizes the importance of connecting academic knowledge with folk traditions. Throughout my career, I have engaged with various musical traditions, always seeking to blend them with folk music. This project builds on my previous work, which examined the introduction and adaptation of Costa Rican folk rhythms on the modern drumset. In this continuation, I focus on the historical and rhythmic connections between Latin American and African traditions, using artistic research to deepen the understanding and appreciation of these intertwined musical heritages.
