The Research Catalogue (RC) is a non-commercial, collaboration and publishing platform for artistic research provided by the Society for Artistic Research. The RC is free to use for artists and researchers. It serves also as a backbone for teaching purposes, student assessment, peer review workflows and research funding administration. It strives to be an open space for experimentation and exchange.

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Climate Just Worldings (2024) Lina Persson
What would it mean to my artistic practice if there was a built-in limitation for me to use more resources than my share? What would a world look like, where future generations could access and confront the present with its overdraw of resources? Through different forms of “worldbuilding” like the film industry’s “storyworlds” and the “worldings” of material feminist theory these questions will be investigated.
open exposition
PERFORMATIVE THEOLOGY (2024) Network for Performative Theology
The purpose of this exposition is to collect data of what Performative Theology can be and become primarily within an academic research but also beyond. The expo will be a timespace nurtured by members the Network for Performative Theology, established 6 October 2022 in Oslo.
open exposition
{kA} : Oblivious to Gravity (2024) Gerriet K. Sharma
Building-Sound Compositions in (half-)public places: Starting from Graz, six vacant buildings in different European cities were researched as aural architectures and understood and experienced as an integral part of building-sound compositions. Techniques and strategies ​​were developed how sound art can react systematically to site-specific architectual conditions or how these environmental acoustic characteristics can become part of a previously non-existent composition.
open exposition

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Reconfiguring the Landscape in Greenwich (2024) Natasha Barrett
In 2022, the SOUND/IMAGE Research Group at the University of Greenwich hosted one of the Reconfiguring the Landscape international workshops. Unlike previous workshops, we decided to split the work over two periods. The first period was from the 17th to the 24th of July, and the second was from the 25th to the 27th of October. During the first period, members of the artistic team were joined by members of the SOUND/IMAGE Research Group to investigate several historic sites in Greenwich. In the second period, the artistic team performed an outdoor concert in Greenwich Market. The work was carried out in collaboration with researchers Brona Martin, Emma Margetson, and Angela McArthur.
open exposition
Reconfiguring the Landscape CD (2024) Natasha Barrett
The Reconfiguring the Landscape documentation CD focused on the public space outdoor sound installations that Natasha Barrett had created during each year of the project and marking new phases in the work addressing urban noise with 3D sound.
open exposition
Sound Worlds (2024) Natasha Barrett
As a final conclusion to the research project three of the five outdoor sound installations were remixed for an indoor exhibition space as a multi-part work called “Sound Worlds.” The sound exposition was installed in the Foredragsale at the Old Munch Museum in Oslo - a 21x18 meters space with a high ceiling. The exhibition was open to the public from the 24th to the 26th of October 2023.
open exposition

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