Research Catalogue

References

• Andrews, Jonathan, Colin Gale, and Caroline Smith, Visits to Bedlam: Visiting the Mentally Ill at Bethlem before 1800 (London: Bethlem Royal Hospital Archive, 1996)
• Anonymous, “‘Statistics on Admissions to Bethlem Hospital’”, London Chronicle, Tuesday, April 18th (London Chronicle, 1786)
• Ariadne, “ and He Wins a Comedy Acted at the New Theatre in Little Lincoln’s-Inn Fields by His Majesty’s Servants / Written by a Young Lady”., 1695 <https://name.umdl.umich.edu/A59615.0001.001>
• Augustine, De Doctrina Christiania
• Bary, René, Methode Pour Bien Prononcer Un Discours, Et Pour Le Bien Animer. Ouvrage Tres-Utile à Tous Ceux Qui Parlent En Public, &amp; particulièrement Aux Predicateurs, &amp; Aux Avocats (Paris: Denis Thierry, 1679)
• Bethlem Royal Hospital, Admission Register - ARA 03 (London: Bethlem Royal Hospital Archive, 1715) <https://archives.museumofthemind.org.uk/ARA.htm>
• Bowle (ed.), John, The Diary of John Evelyn (Oxford: OUP, 1985)
• Bridewell and Bethlem Court of Governors, Bridewell and Bethlem Court of Governors Minutes, BCB-09 (London: Bethlem Royal Hospital Archive, 1658) <https://archives.museumofthemind.org.uk/BCB.htm>
• Bridewell and Bethlem Court of Governors, Bridewell and Bethlem Court of Governors Minutes, BCB-17 (London: Bethlem Royal Hospital Archive, 1701)
• Brink, Jean R, “Batshua Reginald Makin: ‘Most Learned Matron’”, Huntington Library Quarterly, Vol. 54, No. 4 (Autumn 1991) (University of Pennsylvania Press, 1991), pp. 313-26
• Chambers, Paul, “Bethlem Royal Hospital: Why Did the Infamous Bedlam Asylum Have Such a Fearsome Reputation?” <https://www.historyextra.com/period/victorian/bethlem-royal-hospital-history-why-called-bedlam-lunatic-asylum/> [accessed 19 September 2024]
• Charleton, Walter, Natural History of the Passions, 2nd Ed. (London: R. Wellington &amp; E. Rumbal, 1701)
• Cicero, Orator
• Cicero, and E. W. Sutton, De Oratore (London: Loeb Classical Library, 1942)
• Collins, William, “The Passions: An Ode for Music”, 1747 <https://rpo.library.utoronto.ca/content/passions>
• Cowper, William, The Life and Works of William Cowper (London: Saunders and Otley, 1835)
• Crooke, H, Microcosmographia (London: W. Jaggard, 1616)
• Defoe, Daniel, An Essay Upon Projects (London: R. R. Thomas Cockerill, 1697) <https://www.gutenberg.org/files/4087/4087-h/4087-h.htm>
• Democritus Junior, and Burton Robert, THE ANATOMY OF MELANCHOLY WHAT IT IS WITH ALL THE KINDS, CAUSES, SYMPTOMS, PROGNOSTICS, AND SEVERAL CURES OF IT IN THREE PARTITIONS; WITH THEIR SEVERAL SECTIONS, MEMBERS, AND SUBSECTIONS, PHILOSOPHICALLY, MEDICINALLY, HISTORICALLY OPENED AND CUT UP BY DEMOCRITUS JUNIOR [ROBERT BURTON] WITH A SATIRICAL PREFACE, CONDUCING TO THE FOLLOWING DISCOURSE, (Fifth ed.) (Oxford: Henry Cripps, 1638)
• Descartes, René, Les Passions De l’âme (Paris: H. Legras, 1649) <https://www.loc.gov/item/2021666986/>
• Dickens, Charles, Great Expectations (London, 1867) <https://www.gutenberg.org/files/1400/1400-h/1400-h.htm#chap07>
• Dickens, Charles, Great Expectations (London: Ebook - PROJECT GUTENBERG EBOOK 1400, 1867) <https://www.gutenberg.org/files/1400/1400-h/1400-h.htm#chap07>
• Dowland, John, Andreas Ornithoparcus His Micrologus, or Introduction: Containing the Art of Singing. Digested into Foure Bookes. Not Onely Profitable, But Also Necessary for All That Are Studious of Musicke. Also the Dimension and Perfect Vse of the Monochord, According to Guido Aretinus. (London: Thomas Snodham, 1609)
• D’Urfey, Thomas, Richmond Heiress: Or, A Woman Once in the Right (London: Samuel Briscoe, 1603)
• Eccles, John, and Ariadne, “Restless in Thought, Disturbed in mind/A Song in She Venturs, He Winns”, ed. by (Thomas Cross, 1695) <https://vmirror.imslp.org/files/imglnks/usimg/0/0d/IMSLP683651-PMLP1096684-Purcell_Songs_etc_(1)-converted.pdf>
• Foucault, Michel, History of Madness (London: Routledge, 2006)
• Gilje, Nils, Hermeneutikk Som Metode : Ein Historisk Introduksjon (Oslo: Samlaget, 2019)
• Gilje, Nils, Hermeneutikk Som Metode: En Historisk Introduksjon (Oslo: Samlaget, 2019)
• Hill, Aaron, The Art of Acting (London: J. Osborn, 1746)
• Hill, Aaron, The Works of the Late Aaron Hill, Esq; In Four Volumes. Consisting of Letters on Various Subjects, and of Original Poems, Moral and Facetious With and Essay on the Art of Acting, Vol. IV (London, 1753)
• Hill, Aaron, “Regular System of Acting”, The Prompter, Numb. CXVIII, Friday December 26th (William Popple/Aaron Hill, 1735)
• Hill, Aaron, “The Actor’s Epitome”, The Prompter, Numb. CXIII, Tuesday, December 9th (William Popple/Aaron Hill, 1735)
• Horace, Ars Poetica
• Jackson, Dr. Clare, “Your Ultimate Guide to the Restoration Period”, BBC History Revealed, Christmas 2022 (History Extra, 2022)
• Kerouac, Jack, On the Road (London: Penguin Group 2011, 2011)
• King, Thomas A, “‘As If (She) Were Made on Purpose to Put the Whole World into Good Humour’: Reconstructing the First English Actresses”, TDR (1988-), Vol. 36, No. 3 (The MIT Press, 1992), pp. 78-102
• Lamy, Bernard, De l’art De Parler (Paris, 1676)
• Lamy, Bernard, La Rhetorique Ou l’art De Parler (Paris, 1699)
• Le Facheur, M, Traité De l’action De l’orateur, Ou De La Prononciation Et Du Geste (Paris, 1657)
• LeBrun, Charles, Conférence Sur L’Expression générale Et particulière (Amsterdam: J. L. De Lorme, Sur Le Rokin (Paris: E. Picart le Rom, ruë S. Jacques, au Buste de Monseigneur, 1698)
• Lupton, Donald, London and the Countrey Carbonadoed and Quartred into Seuerall Characters. (London: Nicholas Okes, 1632)
• MacDonald, Michael, Mystical Bedlam (Cambridge: Cambridge University Press, 1981)
• MacKinnon, Dolly, “Poor Senseless Bess, Clothed in Her Rags and Folly’: Early Modern Women, Madness, and Song in Seventeenth-Century England”, Parergon, Australian and New Zealand Association of Medieval and Early Modern Studies (Inc.), Volume 8, Number 3 (MacKinnon, Dolly, 2001), pp. 119-51
• Mace, Dean T, “Musical Humanism”, Journal of the Warburg and Courtauld Institutes, XXVII (The Warburg Institute, 1964)
• Makin, Batshu, An Essay to Revive the Antient Education of Gentlewomen in Religion, Manners, Art &Amp; Tongues (London: Thomas Parkhurst, 1673)
• Marselle, Marin, Harmonie Universelle (Paris, 1636)
• Mendelson, Sara, and Patricia Crawford, Women in Early Modern England (Oxford: Clarendon Press, 1998)
• Menestrier, Claude F, Des Representations En Musique Anciennes Et Modernes (Paris: Chez R. Guignard, 1681) <https://archive.org/details/desrepresentatio00mene/page/n3/mode/2up>
• Menestrier, Claude F, Tahiti Des Tournois (Lyon, 1699)
• Montagu, Jennifer, The Expression of the Passions, THE ORIGIN AND INFLUENCE OF CHARLES LE BRUN’S Conférence Sur Expression générale Et particulière. (New Haven &amp; London: Yale University Press, 1994)
• Page, Christopher, “Credo”, Early Music, Volume 41, Issue 1 (Oxford Academic, 2013) <https://doi.org/https://doi.org/10.1093/em/cas161>
• Purcell, Henry, “Bess of Bedlam Z. 370, Printed in John Playford, Choice Ayres, Songs, and Dialogues”, ed. by (A. Godbid, J. Playford Junior and John Carr, 1683)
• Quintilian, Institutio Oratoria
• Riccoboni, Antoine-Francois, L’Art Du théâtre (Paris, 1750)
• Riccoboni, Louis, Dell’Arte Rappresentativa (London, 1728)
• Rogers, Pat, and Valerie GROSVENOR MYER, Pat ROGERS, ‘Richardson and the Bluestockings’, Samuel Richardson: Passion and Prudence (London/Totowa: NJ: Vision Press, 1986)
• Rooley, Anthony, ““The Deep Abyss of Hell” or ‘Bedlam Revisited: A Brief History of English Mad Songs of the 17th Century’”, in Aspects of English Song - Essays by Anthony Rooley, ed. by Giovanna Baviera & Martin Kirnbauer (Basel: Schola Cantorum Basiliensis, 2021), pp. 22-72
• Ross, Stephanie, “Painting the Passions: Charles LeBrun’s Conference Sur L’Expression”, Journal of the History of Ideas 45, 45, no. 1 (University of Pennsylvania Press, 1984), pp. 25-47
• Shakespeare, William, Dr. Barbara A. Mowat (ed.), and Paul Werstine (ed.), Hamlet (Washington DC: Folger Shakespeare Library (accessed: 11.11.24), 1992) <https://www.folger.edu/explore/shakespeares-works/hamlet/>
• Sipowicz, M, “Walter Charleton, Wellbeing, and the Cartesian Passions”, Intellectual History Review, 33 (4) (Taylor and Francis online, 2022), pp. 609-28 <https://doi.org/https://doi.org/10.1080/17496977.2022.2063505>
• Solomon, Diana, “From Infamy to Intimacy: Anne Bracegirdle’s Mad Songs”, Restoration: Studies in English Literary Culture, 1660-1700, Volume 35, Number 1 (University of Tennessee, 2011), pp. 1-20 <https://doi.org/10.1353/rst.2011.0002>
• Tasca, Cecilia, Mariangela Rapetti, Mauro Giovanni Carta, and Bianca Fadda, “Women and Hysteria in the History of Mental Health”, Clin Pract Epidemiol Ment Health, 2012:8 (National Library of Medicine, 2012) <https://doi.org/https://pmc.ncbi.nlm.nih.gov/articles/PMC3480686/>
• Tryon, Thomas, and Philoteus Physiologue, A Treatise of Dreams &amp; Visions Wherein the Causes, Natures, and Uses, of Nocturnal Representations, and the Communications Both of Good and Evil Angels, As Also Departed Souls, to Mankind. Are Theosophically Unfolded; That Is According to the Word of God, and the Harmony of Created Beings. To Which Is Added, a Discourse of the Causes, Natures, and Cure of Phrensie, Madness or Distraction. By Tho. Tryon, Student in Physick (London, 1689) <https://quod.lib.umich.edu/cgi/t/text/text-idx?c=eebo;idno=A63812.0001.001>
• Tuke, Daniel H, Chapters in the History of the Insane in the British Isles (London: Kegan Paul, Trench, 1882)
• Vandenhoff, George, The Art of Elocution: From the Simple Articulation of the Elemental Sounds of Language, up to the Highest Tone of Expression in Speech, Attainable by the Human Voice. (Waterloo Place, London: Wiley and Putnam, 1846)
• Wentz, Jed, “A ROUNDTABLE ON EMBODIMENT IN RESEARCH”, INTRODUCTION HISTORICAL ACTING TECHNIQUES AND THE 21st-CENTURY BODY - European Drama and Performance Studies, 2022 – 2, n° 19 (Classiques Garnier, 2022) <https://doi.org/10.48611/isbn.978-2-406-13546-3>
• Wentz, Jed, “’AND THE WING’D MUSCLES, INTO MEANINGS FLY’: PRACTICE-BASED RESEARCH INTO HISTORICAL ACTING THROUGH THE WRITINGS OF AARON HILL”, HISTORICAL ACTING TECHNIQUES AND THE 21st-CENTURY BODY European Drama and Performance Studies, 2022 – 2, n° 19 (Classiques Garnier, 2022), pp. 157-97 <https://doi.org/10.48611/isbn.978-2-406-13546-3>
• Williams, Gordon, A Dictionary of Sexual Language and Imagery in Shakespearean and Stuart Literature (3 vols.) (London: The Athlore Press, 1994)
• Williams, Gordon, Shakespeare’s Sexual Language (London/New York: Continuum, 1997)
• de Cervantes, Miguel, El Ingenioso Hidalgo Don Quixote De La Mancha (published in Two Parts, 1605 and 1615) (Habsburg Spain: Fransisco de Robles, 1615)
• de La Mesnardière, Hippolyte-Jules Pilet, La Poëtique (Paris: Antoine de Sommaville, 1640)