Research Catalogue

research expositions

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  Las guerras púdicas (performative installation) (last edited: 2025) author(s): Lorena Croceri This exposition is in progress and its share status is: visible to all.
  In this exhibition the concept of responsibility is linked to performance art through the analysis of the performative installation Las guerras púdicas (2019).
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  Perfosentimientos materialized through the mold where some liminality was cooked (last edited: 2022) author(s): Lorena Croceri This exposition is in progress and its share status is: visible to all.
  This is an exposition about a research in the liminality between painting, psychoanalysis and performance art.
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  Pantalla, espejo y gesto. Foto-performances con una computadora-espejo (last edited: 2023) author(s): Lorena Croceri This exposition is in progress and its share status is: visible to all.
  Esta exposición se refiere a la investigación artística realizada en la interacción de un cuerpo, una computadora-espejo y una cámara. Esta experiencia dio por resultado una secuencia de foto-performances que se toma como caso de análisis en la intersección transdisciplinaria entre tecnología, performance art, psicoanálisis. El objeto tecnológico cuya pantalla ha sido intervenido con un espejo ha formado parte de otras experiencias además de la serie de foto-performances que se presentan en esta exposición. El objeto permite el desglose de distintos conceptos como lo especular, la mirada, la corporalidad, las narrativas fragmentarias, la lectura de gestos culturales, el erotismo de la parte, o la fragmentación del cuerpo por parte de la tecnología. De todas formas, la transformación de la posición del espectador clásico quizás sea el que más llame la atención del lector. Algunas vicisitudes históricas del espejo también se trabajan en la exposición en tanto se encuentran vinculadas con la fragmentación que la tecnología imprime en nuestros cuerpos, así como la función unificadora del narcisismo. Este material no ha sido previamente publicada ni se ha enviado para revisión a otra revista. La autora se encuentra disponible a sugerencias, comentarios, intercambios. Esta exposición se refiere a la investigación artística realizada en la interacción de un cuerpo, una computadora-espejo y una cámara. Esta experiencia dio por resultado una secuencia de foto-performances que se toma como caso de análisis en la intersección transdisciplinaria entre tecnología, performance art, psicoanálisis. El objeto tecnológico cuya pantalla ha sido intervenido con un espejo ha formado parte de otras experiencias además de la serie de foto-performances que se presentan en esta exposición. El objeto permite el desglose de distintos conceptos como lo especular, la mirada, la corporalidad, las narrativas fragmentarias, la lectura de gestos culturales, el erotismo de la parte, o la fragmentación del cuerpo por parte de la tecnología. De todas formas, la transformación de la posición del espectador clásico quizás sea el que más llame la atención del lector. Algunas vicisitudes históricas del espejo también se trabajan en la exposición en tanto se encuentran vinculadas con la fragmentación que la tecnología imprime en nuestros cuerpos, así como la función unificadora del narcisismo. Este material no ha sido previamente publicada ni se ha enviado para revisión a otra revista. La autora se encuentra disponible a sugerencias, comentarios, intercambios. This exhibition refers to the artistic research carried out in the interaction of a body, a computer-mirror and a camera. This experience resulted in a sequence of photo-performances that is taken as a case of analysis in the transdisciplinary intersection between technology, performance art, psychoanalysis. The technological object whose screen has been intervened with a mirror has been part of other experiences in addition to the series of photo-performances that are presented in this exhibition. The object allows the breakdown of different concepts such as the specular, the gaze, corporality, fragmentary narratives, the reading of cultural gestures, the eroticism of the part, or the fragmentation of the body by technology. In any case, the transformation of the position of the classic spectator is perhaps the one that most attracts the reader's attention. Some historical vicissitudes of the mirror are also worked on in the exhibition as they are linked to the fragmentation that technology imprints on our bodies, as well as the unifying function of narcissism. This material has not been previously published or submitted for review to another journal. The author is available for suggestions, comments, exchanges.
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  Performative paradigm for businesses (last edited: 2025) author(s): Lorena Croceri This exposition is in progress and its share status is: visible to all.
  Performative Paradigm for Businesses Reconfiguring Strategy, Presence and Creative Leadership This article introduces the Performative Paradigm as an innovative framework for business development, leadership and strategic positioning. Moving beyond traditional rational models, the performative approach integrates embodiment, narrative, and emotional architecture into the very core of professional structures. Rather than separating personal presence from strategic decision-making, this paradigm understands the body, desire, and symbolic expression as essential tools for navigating uncertainty and generating sustainable innovation. Drawing from performance studies, psychoanalytic thinking, and affect theory, the article explores how performative logic can be applied to projects, teams, and leadership styles—especially within multidisciplinary or creative industries. Far from being abstract, the paradigm proposes concrete methodologies and real cases where performative alignment has shifted business dynamics: from burnout to embodied clarity, from fragmentation to integrated vision. Aimed at entrepreneurs, consultants, and visionary leaders, this article opens a liminal path where doing and being converge.
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  LGP Performative method (last edited: 2025) author(s): Lorena Croceri This exposition is in progress and its share status is: visible to all.
  LGP Performative Method Embodying Creative Transitions Through Project-Based Immersion The LGP Performative Method is a transdisciplinary support system designed for artists, entrepreneurs, and hybrid professionals navigating complex creative transitions. Rooted in performance, psychoanalytic insight, and ritualized thinking, the method invites participants to engage deeply with their emotional landscape and personal image as they develop projects that are both intimate and public. This article presents the conceptual pillars and the evolution of the method through performative installations, site-specific experiments, and testimonial archives. Unlike coaching or therapy, LGP works by immersive presence and symbolic acts that reorient the practitioner in relation to their project, their desire, and their audience. With a focus on Erotic Leadership, Liminal Psychoanalytic Fashion, and Project Reconfiguration, the method offers a dynamic toolkit to support non-linear processes and facilitate creative emergence. The piece includes visual documents, field notes, and reflections on what it means to be a body-in-process building something real.
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  ▲The LGP Apartment as a Performative Box: Eroticism, Ritual, and Desire in Transit (2025) author(s): Lorena Croceri published in: Research Catalogue
  ▲ The LGP Apartment as a Performative Box: Eroticism, Ritual, and Desire in Transit explores how a domestic space becomes a stage for embodied performance, blending elements of eroticism, ritualistic acts, and transient desires. This work investigates the intersections between personal and performative identities within the confines of an intimate environment, highlighting the transformative power of space in shaping human experience and creative expression. Oriented to the materialization of creative projects to make them productives. This exposition constitutes the first delivery of a broader research-creation process around the LGP method. It proposes a performative, erotic and ritual-based perspective on space, body, and desire. This fixed publication is intended as an archival moment within an ongoing constellation of artistic and psychoanalytic inquiries. Further works will unfold as complementary explorations. Published in parallel on Zenodo with DOI: [10.5281/zenodo.1562769] ▲ El departamento LGP como caja performativa: erotismo, ritual y deseo en tránsito explora cómo un espacio doméstico se convierte en un escenario para la performance corporal, integrando elementos de erotismo, actos rituales y deseos transitorios. Esta obra investiga las intersecciones entre identidades personales y performativas dentro de un ambiente íntimo, destacando el poder transformador del espacio en la conformación de la experiencia humana y la expresión creativa. Orientado a la materialización de proyectos creativos para hacerlos productivos. Esta exposición constituye la primera entrega de un proceso más amplio de investigación-creación en torno al método LGP. Propone una perspectiva performativa, erótica y ritual sobre el espacio, el cuerpo y el deseo. Esta publicación fija funciona como un momento de archivo dentro de una constelación en expansión de indagaciones artísticas y psicoanalíticas. Los próximos trabajos desplegarán nuevas exploraciones complementarias. Publicado en paralelo en Zenodo con DOI: [10.5281/zenodo.1562769]
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  Before the Method: Sensuous Research and Spatial Experiments for Multidisciplinary Projects (last edited: 2025) author(s): New Art This exposition is in progress and its share status is: visible to all.
  A visual, emotional & conceptual archive of performative installations that anticipated the LGP Method's integrative logic. This article presents a series of digital collages created through the daily reworking of personal archives—photos, performance records, and installations. These images are not final works but affective documents in motion. They explore the blurred boundaries between memory, artwork, and archive. This visual practice is part of the ongoing evolution of the LGP Method, showing how transformation and process are central to its structure. After the method's formalization, a new identity—New Art—emerged, emphasizing mobility, reinvention, and the spiritual-emotional dimension of creative work. This archive also acknowledges the valuable collaborations with artists, performers, and institutions who engaged with different stages of the process, activating the method from multiple perspectives.
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  On Mentorship, Support & Performative Project Navigation with LGP Method (last edited: 2025) author(s): Lorena Croceri This exposition is in progress and its share status is: visible to all.
  ES / EN Este artículo presenta la dimensión de mentoría creativa del Método LGP, una forma transdisciplinaria de soporte para artistas y profesionales multidisciplinarios que buscan integrar deseo, obra y proyecto vital. Este artículo fue escrito por L.C. en el marco del proceso performativo del método LGP. Algunas imágenes, mapas e intuiciones emergen del acompañamiento realizado con F.F., artista visual con background en medicina, cuya colaboración discreta y sensible nutrió el tejido emocional y estratégico del texto. A través de un acompañamiento performativo-emocional, el método ofrece herramientas para sostener procesos, tomar decisiones, y atravesar una nueva identidad sintética. This article introduces the creative mentorship dimension of the LGP Method —a transdisciplinary form of support for artists and multidisciplinary professionals seeking to integrate desire, artwork, and life projects. This article was written by L.C. within the performative process of the LGP method. Some images, maps, and insights emerge from the accompaniment shared with F.F., a visual artist with a medical background, whose discreet and sensitive collaboration nourished both the emotional and strategic layers of the text. Through performative-emotional guidance, the method offers tools to sustain processes, make decisions, and move through a new synthetic identity.
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