Torben Snekkestad
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Ji Youn Kang
sound art, electroacoustic music, electronic music, experiential composition
Paula Kramer
contemporary outdoor movement practice, performance, landscape, daily life, resonance, environment
Marion Reuter
acting, presentation, representation, Perception and Consciousness, courage, vulnerability, improvisation
Bob Wijnen
jazz, piano, piano practice, organ, Hammond organ
Sergio Montero Bravo
artistic research, art, design, architecture, ecologies, rural encounters, education
Liv Kristin Holmberg
music, music aesthetics, music theater, Performance art, Theology, philosophy, ritual, ritual art, crossdisiplinary, Norwegian Artistic Research Programme, utopia, sound art, public art, Religion
Paola González-Vargas
performance, soundscape, sound narrative, aesthetics, Aesthetics and Theory of Arts, technology, Technology Culture, Artificial Intelligence (AI)
Jung-Jae Kim
contemporary music, free improvisation, cross-genre, collaboration
Moch Hasrul Indrabakti
pedagogy, Pedagogy of change, Pedagogical materials; educational material; play, Media Arts, methodology, methods, collective research in arts, design=art=research, research proposal, Recycling materials, plastic, Contemporary art, teaching artist, technology, teaching method
Joanna Kalm
Somatic practices, embodied writing, participatory arts, expanded choreography, anthropology, autoethnography, Experiential Learning, ecosomatic