Mathieu Lacroix
composition, multichannel, electroacoustic music, max msp, classical music, music production, metal music
daniela fantechi
experimentation, microphones, materiality, DIY, composition process, live electronics, drone music, instrumental technique, Instrumentality
Charlotta Ruth
repetition, liveness, documentation, ludic structures, choreography, participation, collaboration
Tina Auer
experiential futures, futures literacy, lighthouses, The Art of Powerful Questions, Immersive Environments, narratives
Ali Mousavi
architecture, urban space, Soundart, practice-based research
Matthew Xie
early music performance, continuo, Lute, Lute song, Theory, performance practice
Arnas Anskaitis
artistic research, diagram, experiment, publication, writing
Nayeli Vazquez Bertely
choreography and performance, dance, choreographic thinking, Dance education, embodiment
Elina Akselrud
music, interpretation, interpretation analysis, collaboration, multidisciplinary, performance, performing arts, multidisciplinary art, Crossover, cross-disciplinary, cross-genre, musical expression, crossdisciplinary, crossdisciplinary art, scriabin, Chamber music, chamber ensemble
Késia Decoté Rodrigues
music, Music Performance, interdisciplinary arts, Audience participation, Digital concerts, liveness, Women in Music
PoL Manterani
ecology of artistic research, magical thinking, art, visual art, interdisciplinarity, social coexistence, fungi, functional harmony, CONTEMPORARY MEDIA, future-shaping, regenerative knowledge systems
Olando Whyte
Dance, performance, Dancehall, afrofuturism, Afro-Jamaican dance, Contemporary art, Space, transatlantic cultural heritage, Transatlantic memories, healing, spiritual art, Rituals, Cermonies, historically informed performance, Historical trauma, Generational trauma, PosPost Traumatic slave syndrome, Myalism