Sónia Pina
Intermedia, intermediality, Fluxus, New-Media, Intersemiotics, communication, expanded-arts, visual ontologies
Eugene A. Kim
sound, soundscape, piano, Silence, love, intimacy, Multiculturalism, Pluralism, experimental systems, experimental composition
Marie-Andrée Robitaille
contemporary circus, performing arts, posthumanism, new materialism, dialogism, dialogical aesthetic, visual art, sonic interaction design, Sonic Arts, Agential realism, pedagogy, circus arts, Bauhaus, indigenous knowledge, circle, nonlinearity, feminist materialism, ontology, non-representational art, Feelings, composition as research, composition, Choreography, choreographic thinking, interdisciplinarity, transdisciplinary, philosophy, non-human, more-than-human, Climate Change, change, nondiscursivity, Semiotics, imagination, poetry as artistic research, walking as a mode of artistic research, fabulation, epistemology, affirmative ethics, ethics of joy, technopoetics
Nathan Riki Thomson
artistic research, artistic identity, interculturality, intercultural dialogue, transcultural, transdisciplinary collaboration, resonance
Liz Rech
movement, social movements, aktivism, affect, choreography and performance
Martyna Kosecka
Music analysis, composition, composition technique, composition process, microtonal music, Spectral music, sonoristic music, electroacoustic music, electronic composition, new opera, experimental voice
Alexandra Crouwers
ecology, ecological trauma, Ecological Consciousness, biodiversity, science fiction, VISUAL CULTURE, visual art, forest, plague