Jonathan Reus
embodied cognition, improvisation and real-time composition, voice and electronics, hardware instruments, software studies, Software Development, electronic music, hybrid musical instruments, voice studies, improvisation, live electronics, critical technical practice, Artificial Intelligence (AI), new music performance, Experimental music
Hermans Carolien
play;, dance improvisation, enactive cognition, participatory-sense making, affects, touch, transformation, inter corporality
Monica Clare van der Haagen-Wulff
Postcolonial Studies, Critical Race Theory, Gender and Queer Studies, Migration, Intersectionality, Postcolonial/Decolonial Feminist Theories and Methodologies, Globalisation, Global Cities, Affect Theories, Performance Studies, Theories of Embodiement, Fictocritical Writing, Critical Heritage und Historical Memory Studies.
YiLing Hung
Performance, Scenography, Social behaviour, acculturation, space and place
Sarah Bennett
archives, artistic research, site responsive practices, Fine Arts, affect, Higher education in the Arts
Victoria Oftestad
historically informed performance, acting, singing, theatre, theater
P d Andrea
pubblic art, organic material, community art, plants based art, shadow and light, editorial and research, visual art, care dare share, visual culture
Eléonore Bak
ART ARCHITECTURE, Soundart, artistic research, soundscape, sound to symbol, ambiance, drawing research