Esa Kirkkopelto
performance philosophy, performer training, post-structuralism, posthumanism, Contemporary performance, artistic research, methodology
Misha Penton
voice, postopera, experimental voice, devised performance, improvisation, poetics, mythopoeia, classical reception, Greek Mythology, fairytale
Till Ansgar Baumhauer
War trauma, depiction of violence, art, interdisciplinarity, interculturalit, visual culture, Afghanistan, conflict transformation art
Julia Hoelzl
limits, limit-experiences, endings, finitude, transience
Niclas Hundahl
posthumanism, aesthetics, Body, music, technology, Music analysis, Music history
Nareeporn Vachananda
temporality, performer-audience relationship, solo dance practice, Noh theatre, time, improvisation, granularity, indeterminacy, relationality
Louise Walleneit
artwork, artistic research, art practice, art education, aesthetics, Body based art, bodytalk, body language, digital art, participatory arts, intervention, textile, McLuhan, bodyextension, Hartmut Rosa, Birgit Schneider, performance, Derrida, Franz Erhard Walter, Rebecca Horn, Mona Hatoum
Marianne Baudouin Lie
music, contemporary music, microtonal music, presence, performance, performing arts, embodiment, Entrepreneurship, improvisation, performer-composer collaboration
Stijn Brinkman
space and body, violin, curatorship, mirror, participatory arts, performance, performance; re-enactment; landspace; site; environment;
Debashis Sinha
sound, sound art, soundscape, sound narrative, ethnography, Storytelling, urban space, mythologies
Rah Eleh
counter-futurism, ethnic-futurism, Contemporary art, liminal experiences, diaspora, nationalism, queer theory, intersectionality, feminism, postcolonial/decolonial theories, videoart, Installation Art, performance, digital art