Emma WIlliams
historically informed performance, 19th century, violin, voice
ARNAU MILLÀ BENSENY
sound art, sound to symbol, improvisation, multidisciplinary, Language, code, dance, moviment, soundscape, public space, Site-specific
Francisco Beltrame Trento
neurodiversity, queer theory, Film-making, post-qualitative inquiry, neuroqueerness, artistic research, anarchive, research-creation, kinship
Olof Misgeld
music, folk music, dance, improvisation, traditional music, tradition, music theory, Music analysis
Adrian Kleinlosen
composition, aesthetics, music technology, Algorithmic Composition, music theory, Morphology, computer music
Saniya Jafri
interaction design, food studies, food design, colonialism, memory practice, archive as creative practice, practice-based research
Olya Zikrata
wartime sound, Ukraine, activist cultures, sound and violence, ecologies of relation, resistance politics, belliphonic atmospheres, sonic relationality, materiality, new materialism, posthumanism