Zoe Panagiota (aka Betty) Nigianni
art, artistic research, politics, Art history, activism, Cultural production, institutional critique, Investigative art, philosophy, post-conceptual art, feminism, cultural sociology, cultural psychoanalysis, Entrepreneurship
Deniz Peters
expression, music, Ensemble, empathy, aesthetics, improvisation, gesture, timbre, emotions, intermediality, embodiment, phenomenology, beauty, listening, artistic epistemology
Claudia Auer
architecture, art, dance;, research, art practice, architectural research
Sage Canellis
Photographic Re-narration, Ancestors, Healing Arts, Collage, Transgenerational Theory, Memory, Trauma, Shamanism, Psychology, Tarot
andy lock
Silence, performance, absence, site-writing, institutional silence, the body, situated writing, familial silence, artistic writing, embodied, site, radio
Bruno Pereira
voice, improvisation, art, performance, sound, body, opera
K Benedikte L Esperi
immersive theatre, public art, public realm, live art, embodied methodology, Choreography, performance, dance for screen, immersive performance, avant-garde, performance; re-enactment; landspace; site; environment;, videography, post-modern dance, improvisation and real-time composition, performance lecture, Lecture Performance, artistic research, feminism
Benedict Olk
dance, choreography and performance, agency, Authorship, postmodernism, formalism, re-enactment, reconstruction, technique, Practice-as-research, practice-based research, practice as research, practice based research, practice, Merce Cunningham, archive, dance technique
Alexander Rishaug
field recording, acoustic ecology, sound art, listening, deep listening, improvisation, experimental music
Mia Seppälä
public space, public art, accessibility; web images; alt text, performance; re-enacment; site; environment, constructions of public-ness, transcorporeal
Fernanda Branco
performance; re-enactment; landspace; site; environment;, antropocene, posthumanism, soundscape, micro-phenomenology;, New Materialism
Antonia Aitken
walking as practice, decolonisation, performance drawing, practice based research, drawing research, critical place theory