Marie Fahlin
Choreography, curating, dressage, centaur, centauring, exhibition, exhibitor, articulation, affect, transposition, composition, transcarnation, touch, tack, aids, terminology, ‘found practice’, ‘found choreography’, expanded choreography, one, oneness, manège, poetry, intimacy, listening, entanglement, embodiment, discursivity, diagram, performing, preforming
Carl Svensson
sound, music, History, narrativity, fenomenologia, pedagogy, epistemology
Dominik Schlienger
spatial interaction in music, art and technology, philosophy of technology, Spatial Audio
Jana Potiron
Furniture and Interior, Site-specific installation, Psychology of design, Design research
Emma Margetson
electroacoustic music, electroacoustic composition, acousmatic, acousmatic music, acousmatic listening, engagement, participation, audiences, collaboration, artistic research
Kim Spierenburg
music, Film-making, animation, socially engaged art, socially engaged research, Socially engaged artistic practice, artistic research, artistic method, artistic processes, art practice, audience response, audience engagement, Audience participation
Adrian Kleinlosen
composition, aesthetics, music technology, Algorithmic Composition, music theory, Morphology, computer music
Thale Johannessen
textile, textile design, textile making, fashion, Green, crochet, beading, earth