Swan Screed egg God
(2024)
author(s): Nicole Ross
published in: Royal Academy of Art, The Hague
Koninklijke Academie van Beeldende Kunsten
Thesis / Research document of the Royal Academy of Art, The Hague 2024
MA Artistic Research
A search for the special through oil electric and sentimental.
India/Germany: the Story of a Little Girl from India and Germany
(2024)
author(s): Jessica Varghese
published in: Royal Academy of Art, The Hague
Thesis / Research Document of the Royal Academy of Art, The Hague, 2024
Interactive/Media/Design (I/M/D)
As a child, moving from India to Germany changed the way I looked at and was perceived by society around me. Dancing between the extremes of complete integration and complete rejection of the culture, I found myself struggling with my sense of identity and belonging.
By using TV and stories and other forms of media I was able to learn about my second culture and maintain my first culture. Looking through the lens of entertainment media I consumed throughout my childhood as well as the changes in narrative unfolding before my eyes as I grew up I started to wonder: How did the media I consumed shape my view of the world around me and the way that others perceived me? How much of that media had good/bad POC representation? How much of it was specifically South Indian? How much of it could I relate to?
Harmonious Inner and Outer Climates
(2024)
author(s): Ilva Nieuwstraten
published in: Royal Academy of Art, The Hague
Thesis / Research Document of the Royal Academy of Art, The Hague, 2023.
BA Interactive / Media / Design
on the inner climate of the body
This study investigates the relationship between the inner experiences of the human body and the state of balance of earth’s climate. The current state of the earth is worsening and the current way of living is not sustainable, climate change wise but also health and mental health wise. Changes need to be made to the way humans live their lives, for (men- tal) health, environment and survival of all beings.
There are three stages in which this research takes place: meeting, befriending and becoming. The meeting chapter looks at the human body experiences of breathing, emotions and (graceful) movement and what these mean in relation-
ship with environmental awareness. During befriending we dive into the human body’s microbiome, neurodiversity, mental illness, burn out, education and war and how these influence the climate crisis. The last chapter called becoming, looks into the philosophy of time and space in relationship with environmentalism and viewing the earth as one’s own body.
The three stages are designed to help us understand the rela- tionship to the disturbance of the climate and our role in it. The research looks into methods to become aware of one’s body. For instance, Just being—breathing—gives the body and its microbiome time to heal. Another method being zooming out and metaphorically seeing the human bodies as the microbiome of earth. .
The Remixician and the Triaxis
(2024)
author(s): Kristian Isachsen
published in: University of Agder, Faculty of Fine Arts
An artistic research project exploring the art of live remixing through the lens of the music philosophical framework "The Remixician's Triaxis". The project resulted in live studio recordings with multi-camera video of my duo with Alessandra Bossa - Before Without.
Songwriting and AI
(2024)
author(s): Celine Lyng
published in: University of Agder, Faculty of Fine Arts
In this thesis, I explore and research songwriters' experience of using artificial intelligence as a songwriting tool. To do so, three participants have explored the use of two different artificial intelligence tools in their songwriting session, in collaboration with me. One of the tools is used to inspire lyrical writing and one is to create a starting point for chord progressions. To gather data, I have had three collaborative songwriting sessions, where the artists and I use the tools whilst writing a song for their artist project. As well as the sessions, there was held six qualitative interviews, two per artist. The first one was for documenting their prior experience and expectations. The second interview was held after they had received a produced demo. This was used to ask about their experiences writing songs with artificial intelligence. We also talked about the song related to ownership. The thesis questions whether artificial intelligence will make one more productive, too productive, or even if the tools can be perceived as distracting.
In addition to using Artificial Intelligence in three different songwriting sessions, I have researched the ethical dilemmas with using AI, such as copyright infringements, and discussing options for opting out of having one’s work be a part of the training of an AI.
My personal journey highly inspires the thesis through using artificial intelligence for my musical project. By using the same process as the three participants are taking part in, my debut EP, Sugarcoated, was created.
This thesis is approved by SIKT (816719).
Idé-generering for gitarister: Kreative Metoder som utgangspunkt for komposisjon
(2024)
author(s): Hans-Kristian Holthe
published in: University of Agder, Faculty of Fine Arts
I denne research-creation oppgaven har jeg utforsket hvordan gitarister tar i bruk kreative verktøy for å utløse og realisere idéer. Jeg har i løpet av oppgaven intervjuet et utvalg gitarister samt innhentet data fra lydinnsamling. Som en del av oppgaven har jeg også komponert 6 komposisjoner som jeg presenterer i løpet av resultatene. I refleksjonen reflekterer jeg rundt samspillet mellom både vitenskapelige og kunstneriske metoder, og funnene som har blitt gjort. Dette har resultert i ny kunnskap både i utløsnings- og realiserings-stadiet i komponeringsprosessen.
