Stitches and Sutures: In Re/Search of Images
(2023)
author(s): Barbara Graf
published in: University of Applied Arts Vienna
PhD project: Stitches and Sutures, Supervisor: Barbara Putz-Plecko
Envelope is a publication of the PhD in Art programme at the University of Applied Arts Vienna
The protective hand_Dewen_Myrza_2023
(2023)
author(s): Dewen Myrza
published in: Research Catalogue
The protective hand: A research in progress examining the influence of cultural values on creative editing.
SOUND/BODY
(2023)
author(s): Petar Mrdjen
published in: Research Catalogue
“My sound body is the ghostly embrace that physically envelops the listener, with acoustic energy. Feel my presence, as I hide in plain sight.”
This exposition explores the role of surround sound in filmmaking, its strength and pitfalls in space-making, as well as its viability as an image-making device.
The author challenges conservative usage of surround sound, advocating for a playful and resistant approach; with the aim to create active and immersive spatial soundscapes where each audience member can experience their own "sweet spot." They reflect on the limitations of traditional cinema sound and express their desire to empower listeners with a dense and rich auditory experience.
By focusing on capturing authentic acoustic spaces, challenging traditional recording practices, and exploring a resistant approach to surround sound; the author highlights the unique relationship between sound, image, and space; and how their interplay can evoke various impressions.
The text delves into the author's artistic approach to working with surround-scapes (surround-soundscapes), highlighting different strategies and providing examples from films and games. Three surround-aesthetics are defined and named, which the author refers to as "rooms." The transformative power of sound is underscored, with a focus on embracing vulnerability and fluidity as sources of strength.
Through the context of foley-practice and surround-scaping; this exposition questions the role and reach of the author's body - a sound body.
The extra dimension: exploring 3D use of the accordion bellows
(2023)
author(s): Kaat Vanhaverbeke
published in: KC Research Portal
In my search for extradimensionality in accordion playing, I have explored the three-dimensional use of the accordion bellows. This concerns moving the bellows forward or backwards at different angles, instead of typically maintaining a straight line. This research dives deeper into how the 3D bellows technique influences accordion music interpretations. A survey spread to accordion teachers worldwide made clear that this technique is quite unknown and undiscovered.
In 4 case studies, video recordings of musical interpretations were compared using a linear bellows concept versus using 3D bellows. After intensive reflection, benefits of the 3D bellows technique became clear. Firstly, it allows a better balance between the right and left-hand manual. Different frequencies and harmonics could be discovered through the 3D use of the bellows, which could lead to more resonance and timbre nuances. Furthermore, the technique enhances direction and phrasing in accordion music, reinforced by the visual perception of 3D bellows. However, the technique should be reviewed in different musical styles: in baroque compositions, for instance, the 3D movements are preferably less explicit. Considering some prerequisite skills, an important concern in the practice process has been when to apply 3D bellows.
The research suggests that 3D bellows can be included more explicitly in accordion practice and pedagogy today. It was found to be a useful tool to deepen musical interpretations and musical hearing in accordion students and professionals.
A brief history of the drum machine
(2023)
author(s): Hafsteinn Davidsson
published in: Research Catalogue
This article explores the history of drum machines and their impact on music production. It covers the early developments of drum machines in the 1930s with the Rhythmicon and the Chamberlin Rhythmate. It then discusses the introduction of programmable drum machines like the EKO ComputeRhythm and the Roland CR-78 CompuRhythm. The article highlights the revolutionary impact of the Roland TR-808, known for its distinctive bass drum and clap sounds. Sample-based drum machines, such as the LinnDrum LM-1 and LM-2, are also discussed, along with the pivotal role of the MPC3000 in popularizing sampling and sequencing. The article examines the legacy of drum machines, including the concept of quantization and the unique timing and grooves popularized by J Dilla. It concludes by acknowledging the enduring appeal of physical drum machines in a digital age and the ongoing influence of drum machines on music production.
