'What may have happened…'
(2023)
author(s): Johan van Kreij
published in: Research Catalogue, KC Research Portal
“What may have happened…" is a research driven by the desire to augment the sense of sharing in a decentralized improvisation-a creative musical situation in which the participants are in different locations. It focusses on extending the amount of communication channels in a decentralized improvisation setting—beyond the audible and visible. The aim will be not just adding extra layers of data exchange, but introducing various modes of interaction. This will be realized through the use of software and mobile devices.
“It’s probably just me”: The Literacies of Pervasive Sound Narratives
(2015)
author(s): Elizabeth Evans
published in: Journal of Sonic Studies
This article explores how The Memory Dealer reveals the multiple literacies at stake in pervasive, transmedia, multimodal drama that open up new relationships between player, text, technology and space. In contrast to much scholarship on digital and media literacy, which focuses on children, the focus here is on adults who are already well versed in a range of media-related literacies, including “new” forms such as videogames and digital media, but are simultaneously not “digital natives”. Three specific forms of literacy emerge: narrative, technological and geographical-logistical. When participants came across moments of difficulty with these literacies, they articulated this failure as a form of personal inadequacy. At the same time, key diegetic components such as music, setting and performance aided their re-learning of how to locate and understand TMD’s narrative.
The Many and the Form - reflection and reference materials
(last edited: 2023)
author(s): Edit Kaldor
This exposition is in progress and its share status is: visible to all.
Reflection text and reference materials of the research project The Many and the Form
by Edit Kaldor
An account and reflection of the processes, phases and outcomes of the research project The Many and the Form, which explored in different contexts how lived experiences can be articulated in and through live performance. The text brings together the various strands within the research and some of the underlying connections between the different components. It aims to communicate about practices and provide insights that can be useful for those who are interested in contemporary theatre making, participation and social imaginaries, as well as for those who have or are curious about immigrant experiences and knowledges.
Reference and documentation materials created as part of the research:
- Digital online archive Inventory of Powerlessness
To accesss, click on http://inventoryofpowerlessness.org/
Interactive digital online archive that was made as part of the research, processing the accounts of lived experiences of 300 participants in the long-term theatre work that preceded and prompted this research project. As part of the preparation for the workshops I wanted to gather and organize these stories in a sharable format which reflected the processes within the performance project. It was important for the current research because it gave me a chance to touch base with its core motivation for creating working methods that allow people to translate lived experiences into live performative situations. Revisiting and reworking the range of experiences that were articulated during the Inventory not only recalled the particular context and the sense of purpose that the research originated in, but also the kinds of procedures I was working with in the Inventory, some of which served as basis for the working methods I have been developing during this research, which were shared in a range of workshops.
I collaborated on the archive with dramaturg intern Joseph Anderson, theatre maker Jurrien van Rheenen and computer programmer Joris Favie. The work consisted of bringing together recorded materials, transcribing them, translating them from one of the five original languages (Dutch, German, Polish, Czech, Greek), making a single version that most closely reflected the different oral versions, and placing them into the digital archive with the connections and categories.
The online archive is an important reference for the research project, as it situates the research in terms of the kinds of lived knowledges that it aims to bring into performance-making.
- Edited video documentation of workshop Ghost in the Machine, December 2020. https://www.youtube.com/watch?v=qAxdAD4kEv4&t=1429s
The video gives an idea of the new strand of the research within the project after Covid made physical presence workshops impossible and the focus of my investigation shifted to exploring situations of digital intimacy and presence through moblie devices. This strand of the research led to the development of the site-specific interactive performance Parallel Life, one of the practical outcomes of The Many and the Form.
Although it’s a short, edited version of a longer series of workshops, the video gives a glimpse of the practice-oriented working processes typical for my workshops.
The Many and the Form - Video Documentation of Practical Components
(last edited: 2023)
author(s): Edit Kaldor
This exposition is in progress and its share status is: visible to all.
Video documentation of the practical components of the artistic research project The Many and the Form by Edit Kaldor, including:
- The video registration of Strangers (2022), a lecture performance that brings together an array of materials from various phases of the artistic research; investigations in different contexts into how lived experiences can be articulated in and through live performance.
- A video documentation of Parallel Life (2021), an interactive performance played for and by individual spectators on the streets of the city, using their mobile phones. The paradoxical situation of social distancing and digital intimacy between strangers formed the starting point of the performance.
–Video fragments of rehearsal experiments and performative works made by participants during the workshops held throughout 2019 at Pleintheater in Amsterdam as part of the artistic research project The Many and the Form. The final outcomes were presented publicly at the Vrije Vloer Festival in November 2019.
“What may have happened…" is a research driven by the desire to augment the sense of sharing in a decentralized improvisation-a creative musical situation in which the participants are in different locations. It focusses on extending the amount of communication channels in a decentralized improvisation setting—beyond the audible and visible. The aim will be not just adding extra layers of data exchange, but introducing various modes of interaction. This will be realized through the use of software and mobile devices.open exposition comments (0)