Virtual Hallucinations
(2024)
author(s): Emma Richey
published in: Stockholm University of the Arts (SKH)
A master's thesis that aims to see how 2D animation can visualize hallucinations in VR, while examining the greyzone between technology and spirituality in the animation process. The animations are made for the VR documentary film: Urban Witches, by Nicia Fernandez.
HEAR THE VISIONS: sacred materials and archeology of findings
(last edited: 2024)
author(s): Clara Marchana
This exposition is in progress and its share status is: visible to all.
Sacred materials and archeology of findings
Design 1 and 2, Do and Document Assignments, Research Line, Artistic Research
Master Choreography at Codarts University of the Arts in Rotterdam and Fontys School of Fine and Performing Arts in Tilburg, Netherlands
PERFORMATIVE THEOLOGY
(last edited: 2024)
author(s): Network for Performative Theology
This exposition is in progress and its share status is: visible to all.
The purpose of this exposition is to collect data of what Performative Theology can be and become primarily within an academic research but also beyond. The expo will be a timespace nurtured by members the Network for Performative Theology, established 6 October 2022 in Oslo.
Vessels of Home: A Search for Belonging
(last edited: 2023)
author(s): Naomi Arabel Moonlion
This exposition is in review and its share status is: visible to all.
Thesis of the Royal Academy of Art, The Hague, 2023 - BA Photography
'Vessels of Home' is a 'Search for Belonging.' As more and more people feel disconnected from the world around them, finding belonging is no longer only a question of physical place, but of creating moments in an imaginative space. These moments of belonging are short-lived, they are hard to grasp and contain in our ever individualizing world. Yet, I believe they can be found and nurtured through conscious acts and rituals.
Rowan Moonlion proposes various ways to cultivate moments of belonging, through stories contained in the vessels of Fire, Earth, Water and Air (Le Guin 2020). Firstly, in Fire, regarding human interactions: rejecting patriarchal and capitalist notions of group thinking, by letting go of identity definitions based on difference. Secondly, in Earth, considering nature: returning to our connection to the land, to understand the unifying power of interbeing. Thirdly, in Water, looking within our bodies: searching for sensorial experiences of belonging by making our bodies our homes. Finally, in Air, gazing in our minds and memories, imagining new worlds, holding stories together with our ancestors.
Witchcraft and Earth honoring rituals are used as a framework to explain and exemplify the four proposed layers. 'Vessels of Home' combines academic research grounded in queer and feminist theory, conversations with witches and other lived experience stories, poetic reflections taken from Moonlion’s artistic practice, and practical tools like rituals, recipes and affirmations. Together the four layers of belonging and the four types of writing form a unifying whole. Moonlion urges you to connect to your own personal form of belonging, and hopes you will learn to understand the value of trying to live in harmony with all else on this Earth.
The elements return again and again in a cyclical manner. The circle of life is ever present.
Although Changed, I Arise the Same (The Spirituality of Spirals)
(last edited: 2022)
author(s): Calum Builder
This exposition is in progress and its share status is: visible to all.
Although Changed, I Arise the Same (The Spirituality of Spirals) is a personal artistic exploration into the artist’s shifting context & practice derived from the utilisation of spiral formations in the creative process. Originally conceived as an intervallic system based on spiral formations, this project evolved to encompass an investigation into the metaphorical and conceptual implications of spirals. This is a different form of a system — one not built on intervals but on swirling water & howling winds. It is a story about shifting from the concrete & practical to the abstract & conceptual.
It explores how, where & why I utilise spiral formations.
Yet, more pertinently, it discusses how working with spirals redefined my own artistic context.
A spiral became a symbol that transcended inspiration.
It became a form of spirituality.
Non-Duality and Artistic Creation
(last edited: 2020)
author(s): Maja Maletkovic
This exposition is in progress and its share status is: visible to all.
How can metaphysical concept presented in the Vedic school of non-duality (Advaita) be used as a gridline to describe works of artist working with Spirituality as a guiding force of their creation?
Further, how could this concept be re-interpreted into a XR experience?
Lessons in the Shadow of Death
(last edited: 2017)
author(s): Elisabeth Laasonen Belgrano
This exposition is in progress and its share status is: visible to all.
A voice.
Alone.
Sounding as a prayer.
As a meditation.
Moving through lamentation and hope.
In the middle of life.
In the middle of living.
In the shadow of Death.
There is a voice.
Voice of Life itself.
Voice of God.
A performance of a vocal prayer.
Voice - Elisabeth Belgrano
