‘Crowism’
(2025)
author(s): DAPHNA REVES
published in: Research Catalogue
The concept of 'crowism' allows to adapt the qualities of the crow and project them onto humanity's relationship. Like having an observation on the relation between a stat and the people culture motivation.
The feature of the crow, takes no burden of humanity society which mean: does not agree taming, presents an individual self-thought, cannot be restrained by regime and cannot be adapted to the pattern of the Western society.
Metamorphosis - Ethics and Aesthetics are One - from a Neuroscientific Perspective
(2024)
author(s): Erika Matsunami
published in: Research Catalogue
Wittgenstein's "Ethics and Aesthetics are one" is the starting point of this research. "In the Notebooks, Wittgenstein states that 'the world and life are one', so perhaps the following can be said. Just as the aesthetic object is the single thing seen as if it were a whole world, so the ethical object, or life, is the multiplicity of the world seen as a single object". (Diané Collinson, The British Journal of Aesthetics, Volume 25, Issue 3, SUMMER 1985, pages 266-272)
Art transcends boundaries of race, nationality and gender. It is a creative act of unifying in the context of humanity, from the subject to the various topics, by asking questions. This point is the lack of "reality" (dealing with reality) from a sociological perspective. However, it is impossible to define humanity and reality based on sociological statistics alone–which is my perspective of Wittgenstein's "Ethics and Aesthetics are one". Thereby, I examine 'world and life' from the 21st century perspective.
In other words, my research is on immateriality from a 21st-century perspective in relation to the context of neuroscience—on multifoldness.
I would like to explore the following
"What is diversity and its coexistence?"
...
Hva gjør musikk tilgjengelig?
(2024)
author(s): Maren Metell
published in: Research Catalogue
My doctoral research explored musical interaction with disabled children and their families, focusing on how, when and under what conditions music becomes accessible and meaningful. The serie of pictures provides an insight into how accessibility is co-created by participants, activities, actions, objects and the environment.
The whole PhD thesis can be accessed here: https://research.gold.ac.uk/id/eprint/34028/
Diary Notes of a Curator-in-Residence
(2024)
author(s): Rossana Mendes Fonseca
published in: Research Catalogue
Under the theme "Deviations", we will seek to create an exposition that narrates the immersive experience in Split's creative community and the curatorial process of a collective exhibition that integrates our artistic background from Porto with the talents of local Split artists. During the residency, we will seek to gather a group of artists willing to challenge their usual media, themes or approaches, contributing to a dynamic and thought-provoking collective.
Brief & References
(2024)
author(s): Nikolas Georgiou
Limited publication. Only visible to members of the portal : Research Catalogue, Department of Multimedia & Graphic Arts - Cyprus University of Technology - [Internal]
A graphical scene that let's you draw on a canvas using Processing and Arduino
“THE LAND OF BEES” -the paradoxicality of ABSENCE and the execution of VACATION-
(2024)
author(s): Urška Medved
published in: Research Catalogue
The Land of Bees is the result of two and a half years of in-depth research exploring themes of vacation, rest, burnout, absence, work, and paradox. This project was developed as part of Urška Medved's Master's studies in the Contemporary Performative Arts program at HSM, University of Gothenburg.
Presented as an interactive document, The Land of Bees invites readers to engage with the research in a manner that reflects the very process through which the work was created.
