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Through Segments is a sound installation in an unusual interstitial space—the staircase of the Kunsthaus’ Iron House that connects to the “Friendly Alien”. Four artists listen into the storeys using real-time computer algorithms, taking an acoustical image of the visitors’ movements, forming four individual reactions. It is a poetic attempt to think about the distributed, the fragmented, the parallel. During the development phase, the artists work independently, but at the same time they observe and interrogate each other, performing the gesture of a “simultaneous arrival” (Sara Ahmed). They enact a human algorithm, informed by reiteration and duplication but never being identical. The aim is not one “of all converging towards the same, but circulating, making common relaying, relaying back, being relayed” (Isabelle Stengers).
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We will install a metal structure in the interstitial space (~6 cm) between the staircase and the wooden panel. The advantage is that cables will be hidden inside and not to visitors. We might use the brackets that are already supporting the wooden panel to also support our metal structure to mount the speakers.
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In the staircase a wood panel of ca. 10 cm thickness separates consecutive flights of stairs. Hand rails are also mounted all along this panel.
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When we visited the Kunsthaus in winter, one of the first questions was how to mount speakers along the staircase. The loudspekers we use are relatively small and light, but they shall be mounted on a stable structure and cables should be hidden or protected somehow.
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